tag:blogger.com,1999:blog-74328829502081593182024-03-13T21:56:15.979-07:00La Via degli AntichiDivulgazione, riflessioni, spunti e curiosità sul mondo dell'Egitto e del Vicino Oriente Antico
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di Lisa AntonelliLa Via degli Antichihttp://www.blogger.com/profile/05516976387552213835noreply@blogger.comBlogger111125tag:blogger.com,1999:blog-7432882950208159318.post-47754054332838308542024-01-01T11:03:00.000-08:002024-01-01T11:57:33.951-08:00La fiasca del Nuovo Anno <p style="text-align: justify;"><span style="font-family: helvetica;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;">Anche </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span>nell’Antico</span></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"> Egitto si festeggiava l’arrivo di un nuovo anno, in corrispondenza dell’inizio della stagione della piena del Nilo (a metà dell’attuale mese di luglio).</span></span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Le foto (<b>Fig. 1-4</b>) rappresentano la cosiddetta “<b>Fiasca del Nuovo Anno</b>”: si trattava di un oggetto connesso a questo evento, che riportava iscrizioni di augurio come ad esempio:</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNkOfyfrbb8SP964AlPCEoJONawO7cF4rGGrHB3EVqMtKrCKTdgmRx9flGXO6W3DKlGNDSJd0XgXhTrxFIqOtjCftdQ7cIhZQ6L_TSmOhqfOE49OzOlkN-aLhYNYJ3SC1ijUHDFYOcaWAj_mkaDlCUD5ZRhOttUGnFu4lIblLfxnSY_SQ80veNe1wZV34/s97/unnamed001.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: helvetica;"><img border="0" data-original-height="46" data-original-width="97" height="46" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNkOfyfrbb8SP964AlPCEoJONawO7cF4rGGrHB3EVqMtKrCKTdgmRx9flGXO6W3DKlGNDSJd0XgXhTrxFIqOtjCftdQ7cIhZQ6L_TSmOhqfOE49OzOlkN-aLhYNYJ3SC1ijUHDFYOcaWAj_mkaDlCUD5ZRhOttUGnFu4lIblLfxnSY_SQ80veNe1wZV34/s1600/unnamed001.jpg" width="97" /></span></a></div><b><span style="font-family: helvetica;"><br /></span></b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><b><span style="font-family: helvetica;">wp.t-rnp.t nfr.t</span></b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;">(<i>Wepet renpet neferet</i>)</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;">“Buon Anno Nuovo”</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">L'iscrizione poteva essere riportata sul fronte della bottiglia così come in un riquadro lungo la circonferenza. </span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Nell'esemplare conservato presso il Musée des Beaux-Arts di Digione (Francia) essa è ben visibile in <b>Fig. 2 </b>e <b>3 </b>e recita<b> </b><span style="text-align: center;">letteralmente:</span></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><span style="text-align: center;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><div class="separator" style="clear: both; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqmLWZcgBYkSvvAIPg1Le6wyMqq7snwVupMe64kCE9jFo9T3uSZyyKVjlpycujhaxnFrwKXBG4aaouX_A-pecpyq6aCMFIkLSKhRDrrRjkPhlbNBzEIaohM7CcN_zTEVnmlOOamVd6QMr1mRMovv7SXDTu0s515JrIEl0xj0rVa4pm0_OdC7UWQpoPIfc/s191/unnamed001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="46" data-original-width="191" height="46" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqmLWZcgBYkSvvAIPg1Le6wyMqq7snwVupMe64kCE9jFo9T3uSZyyKVjlpycujhaxnFrwKXBG4aaouX_A-pecpyq6aCMFIkLSKhRDrrRjkPhlbNBzEIaohM7CcN_zTEVnmlOOamVd6QMr1mRMovv7SXDTu0s515JrIEl0xj0rVa4pm0_OdC7UWQpoPIfc/s1600/unnamed001.jpg" width="191" /></a></div><span face="system-ui, -apple-system, BlinkMacSystemFont, .SFNSText-Regular, sans-serif"><br /></span><div dir="auto" style="text-align: center;"><b><span style="font-family: helvetica;">Jmn wp(.t)-rnp(.t) nfr(.t) n nb=s</span></b></div><div dir="auto" style="font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; text-align: center;"><br /></div><div dir="auto" style="font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; text-align: center;"><img border="0" data-original-height="46" data-original-width="173" height="46" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGx8VbCbaVgabo4CtmoMjRZKhcrpCBbYib31PzaF3j6y5NReWAwgj_fHKiPfNLlJsvTSromMyk99zLkPNv1oLXeChp6CsnhhVB5BYVzlXefusEZ-rr1T6qaA-vJlmhozUGZMyPOtVmEq5xqvRRIRWNLwf-Ucw86OnpfnP98q-IEY9C7Mp0LnuSZPYuTIM/s1600/unnamed001.png" width="173" /></div></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><div dir="auto"><b><span style="font-family: helvetica;">PtH wp(.t)-rnp(.t) nfr(.t) n nb=s</span></b></div><div style="font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif;"><b><br /></b></div></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;">"Amon / Ptah - Un inizio di felice Anno Nuovo per il suo Signore"</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;">(da un lato, l'iscrizione reca il nome di Amon, dall'altro quello di Ptah)</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-IGE7JBZETY3dcbInhlSfcxRBCDstB_gvJAXKcl7Z3rqpVwg330208DGZA0u0ViqFwJY9OVlA8Jl8Xh_D89VoXjGOVnyKf4IiEPNVPdY_mFt5H02yciqnPSJW6oiH6Y6iabMLzCNBt6upZ3OHxINblqGiID4PDjuCsnsTiOTyFNwL6xg55kFuLxZj0GI/s5436/0634OA.tif" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5436" data-original-width="4080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-IGE7JBZETY3dcbInhlSfcxRBCDstB_gvJAXKcl7Z3rqpVwg330208DGZA0u0ViqFwJY9OVlA8Jl8Xh_D89VoXjGOVnyKf4IiEPNVPdY_mFt5H02yciqnPSJW6oiH6Y6iabMLzCNBt6upZ3OHxINblqGiID4PDjuCsnsTiOTyFNwL6xg55kFuLxZj0GI/w480-h640/0634OA.tif" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><b>Fig. 1</b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;">Fiasca del Nuovo Anno in faience, XXVI Dinastia </div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;">Dépôt du Musée du Louvre, Paris</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;">© Musée des Beaux-Arts de Dijon/François Jay</div></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHfJJgpIocaEGQNEDEhU17V982HLhgLb6Cxy6LXGknlm8mcj1nTcbIqGItWT5kE4s6hYaYv2zf41omksUHyWRmaUmki7vBtz0V4dDprcBK8KQfuzggZ0eMS4b6p7PVZGw5YFIRHju9CBjbmGTNQEiOVOS1C8nQJazctV5QFG7ZvK3kYp9VHlaaVvCHdyY/s5436/0635OA.tif" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5436" data-original-width="4080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHfJJgpIocaEGQNEDEhU17V982HLhgLb6Cxy6LXGknlm8mcj1nTcbIqGItWT5kE4s6hYaYv2zf41omksUHyWRmaUmki7vBtz0V4dDprcBK8KQfuzggZ0eMS4b6p7PVZGw5YFIRHju9CBjbmGTNQEiOVOS1C8nQJazctV5QFG7ZvK3kYp9VHlaaVvCHdyY/w480-h640/0635OA.tif" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><b>Fig. 2</b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Fiasca del Nuovo Anno in faience, XXVI Dinastia </div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Dépôt du Musée du Louvre, Paris</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">© Musée des Beaux-Arts de Dijon/François Jay</div></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS0RlLeIwtxrP_GdNxetxn4wRPIgJv5pcc39-03tNWdv7DU0Rln0xUIqc55hQ8ztAna1JkM8l9yHqiKDlgCnuaUJy53KHlaFKB6sypXyC1bOG6ISFdxAfLsbJBl1kcgeQLghyyO5qe602vyzU_2lt4q0q4Ntn754N0J8BV4Stvvg_yKsPtSOyDROBMaxg/s5436/0636OA.tif" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="5436" data-original-width="4080" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS0RlLeIwtxrP_GdNxetxn4wRPIgJv5pcc39-03tNWdv7DU0Rln0xUIqc55hQ8ztAna1JkM8l9yHqiKDlgCnuaUJy53KHlaFKB6sypXyC1bOG6ISFdxAfLsbJBl1kcgeQLghyyO5qe602vyzU_2lt4q0q4Ntn754N0J8BV4Stvvg_yKsPtSOyDROBMaxg/w480-h640/0636OA.tif" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><b>Fig. 3</b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Fiasca del Nuovo Anno in faience, XXVI Dinastia </div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Dépôt du Musée du Louvre, Paris</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">© Musée des Beaux-Arts de Dijon/François Jay</div></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4UQAD6Rjk7Xf5JMyi6Ny9WKGkydXl3qHQwGxAekT-NbxUQCBY-RjO76RyFoBO7CcAycRa2rgac97oWZtx1wOtjFaRIkwsK3BUYfo1ID-M9hyphenhyphenMGQnozqssv7ccjBBQFYK3HG6XygvwWJRsTQQv8yvVGrPaxohzUWlbz7-G11wPoy007gfESh5mTBKXzB4/s3162/IMG_0359.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3162" data-original-width="2680" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4UQAD6Rjk7Xf5JMyi6Ny9WKGkydXl3qHQwGxAekT-NbxUQCBY-RjO76RyFoBO7CcAycRa2rgac97oWZtx1wOtjFaRIkwsK3BUYfo1ID-M9hyphenhyphenMGQnozqssv7ccjBBQFYK3HG6XygvwWJRsTQQv8yvVGrPaxohzUWlbz7-G11wPoy007gfESh5mTBKXzB4/w542-h640/IMG_0359.jpeg" width="542" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><b>Fig. 4</b></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Fiasca del Nuovo Anno in faience, XXVI Dinastia </div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Dépôt du Musée du Louvre, Paris</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">© Musée des Beaux-Arts de Dijon</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Photo: Lisa Antonelli</div></td></tr></tbody></table><span face="system-ui, -apple-system, BlinkMacSystemFont, .SFNSText-Regular, sans-serif" style="color: #050505;"><span style="caret-color: rgb(5, 5, 5); font-size: 15px; white-space: pre-wrap;"><br /></span></span><div><p style="text-align: justify;"><span style="font-family: helvetica;"><span style="color: #050505;"><span style="caret-color: rgb(5, 5, 5); font-size: 15px; white-space: pre-wrap;">La fiaschetta ha una forma lenticolare il cui corpo è decorato da un fiore di loto steso a semicerchio (<b>Fig. 4</b>); il collo si allarga in una pianta di papiro stilizzata mentre sulla fascia laterale che percorre la circonferenza dell'oggetto, oltre all'iscrizione, è presene una decorazione a motivi geometrici.</span></span></span></p></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-85655858267169788782023-04-11T10:46:00.004-07:002023-04-11T10:47:38.416-07:00Ushabti policromo - Musée des Beaux-Arts de Dijon<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj1vANs6hDuw1Di5Tcj3Q0IpnX75oD2-YCMbqbrjvFABYan2royqDaCVH2NMd5TeNA7dlvppcuCx2SG4kdpjWoaAa4Brb5nCB6iz5CgldItX7_cA0nwJ7rE4kB-1ekRv4LIZVTbUUZrNUFeKAsKLsiXBZCt8qW7h35pQimX-a5Z12FOeszJ9tUIm9y/s5040/0566SC.jpeg" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: verdana;"><img border="0" data-original-height="5040" data-original-width="3335" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj1vANs6hDuw1Di5Tcj3Q0IpnX75oD2-YCMbqbrjvFABYan2royqDaCVH2NMd5TeNA7dlvppcuCx2SG4kdpjWoaAa4Brb5nCB6iz5CgldItX7_cA0nwJ7rE4kB-1ekRv4LIZVTbUUZrNUFeKAsKLsiXBZCt8qW7h35pQimX-a5Z12FOeszJ9tUIm9y/w424-h640/0566SC.jpeg" width="424" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: verdana;"><b>Ushabti anonimo<br /></b>XVIII-XIX Dinastia<br />Inv. D Cat Egypte 1997 n° 85<br />Musée des Beaux-Arts de Dijon<br /></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: verdana;"><br /></span></div><span style="color: #444444; font-family: verdana;">In questa foto è ritratto un pezzo proveniente dalla collezione egizia del <a href="https://beaux-arts.dijon.fr" target="_blank">Musée des Beaux-Arts de Dijon</a>.</span><p></p><p><span style="color: #444444; font-family: verdana;">Si tratta di un esemplare di <i>ushabti</i> in legno, alto circa 18 centimetri, datato tra la XVIII e la XIX Dinastia ed interamente policromo: il volto, color ocra, è incorniciato da una parrucca nera ed in nero sono tracciati i lineamenti degli occhi, delle sopracciglia e della bocca.</span></p><p><span style="color: #444444; font-family: verdana;">Le mani, anch'esse dipinte, tengono gli attrezzi agricoli (zappa e falcetto), mentre il sacco del grano portato a spalla ricade sul retro della statuetta, al centro della schiena.</span></p><p><span style="color: #444444; font-family: verdana;">Tutto il busto è ricoperto da una decorazione a fasce nella forma di una collana ed il corpo mummiforme è decorato con quadrati dal bordo rosso con un grande punto blu al centro.</span></p><p><span style="color: #444444; font-family: verdana;">L'iscrizione, disposta in verticale in una striscia incorniciata di rosso su fondo giallo, seppur in ottime condizioni non riporta il nome proprio del defunto (<i>ushabti</i> anonimo).</span></p><p><span style="color: #444444; font-family: verdana;">Il <a href="https://beaux-arts.dijon.fr" target="_blank">Musée des Beaux-Arts de Dijon</a> possiede una raccolta di 80 ushabti (in <i style="caret-color: rgb(28, 30, 33); text-align: justify;">faïence</i>, legno e terracotta) che sono stati studiati e catalogati da L. Aubert (in: Aubert J.F. e L., <i>Statuettes Égyptiennes - Chaouabtis Ouchebtis</i>, Paris, 1974).</span></p><p><span style="color: #444444; font-family: verdana;">________________________________________________________________________________</span></p><p><span style="color: #444444; font-family: verdana;">Per saperne di più sugli <b><i>ushabti</i></b>:</span></p><p><span style="color: #444444; font-family: verdana;"><span style="caret-color: rgb(72, 72, 72); text-align: justify;">Gli </span><span style="caret-color: rgb(72, 72, 72); text-align: justify;"><i>ushabti</i></span><span style="caret-color: rgb(72, 72, 72); text-align: justify;"> </span><span style="caret-color: rgb(72, 72, 72); text-align: justify;">(𓅱𓈙𓃀𓏏𓏭𓀾</span><span style="caret-color: rgb(72, 72, 72); text-align: justify;"> </span><i style="caret-color: rgb(72, 72, 72); text-align: justify;">wšbtj</i><span style="caret-color: rgb(72, 72, 72); text-align: justify;">) sono statuette che rappresentano il defunto mummiforme e che venivano poste all’interno del corredo funerario al fine di poter “sostituire” il defunto stesso nei compiti che, secondo la credenza degli antichi Egizi, dovevano essere svolti nell’aldilà.</span></span></p><div style="caret-color: rgb(72, 72, 72); text-align: justify;"><span class="text_exposed_show" style="display: inline;"><span style="color: #444444; font-family: verdana;">La parola “<i>ushabti</i>” deriva dal verbo “<i>wšb</i>” (<i>usheb</i> 𓅱𓈙𓃀𓏴𓀁) “rispondere” e significa “il rispondente”, “colui che risponde”; nelle formule iscritte su queste statuette, l’<i>ushabti</i> viene infatti esortato a prendere il posto del defunto per eseguire gli stessi lavori quotidiani necessari anche durante la vita terrena (come coltivare i campi, irrigare i canali, trasportare la sabbia, ecc.) garantendo così la sopravvivenza eterna del defunto.</span></span></div><span style="color: #444444; font-family: verdana;"><span class="text_exposed_show" style="display: inline;"></span><span style="background-color: #c99961; caret-color: rgb(72, 72, 72);"></span></span><div style="caret-color: rgb(72, 72, 72); text-align: justify;"><span class="text_exposed_show" style="display: inline;"><span style="color: #444444; font-family: verdana;">Per poter svolgere queste attività l’<i>ushabti</i> era pertanto dotato di un falcetto, di una zappa (che impugna con mani) e di una borsa per le sementi che ricade dietro alla spalla.</span></span></div><p><span style="color: #444444; font-family: verdana;"><span style="text-align: justify;">Gli <i>ushabti</i> potevano essere in <i>faïence</i> (di colore turchese), legno, pietra, ecc. ed avevano una dimensione compresa mediamente tra i 5 e i 20 cm; dal Medio Regno, con il passare del tempo vennero prodotti in quantità sempre più numerose: nel Nuovo Regno ogni corredo poteva ospitare anche 400 statuette (una per ogni giorno dell’anno + 36 capisquadra ovvero uno ogni 10 operai).</span> </span></p><p><span style="color: #444444; font-family: verdana;">_________________________________________________________________________________</span></p><p><span style="color: #444444; font-family: verdana;">Bibliografia:</span></p><p><span style="color: #444444; font-family: verdana;">- V. Laurent, M. Desti, <i>Antiquités égyptiennes. Inventaire des collections du Musée des Beaux-Arts de Dijon</i>, DRAC de Bourgogne, 1997.</span></p><p><span style="color: #444444; font-family: verdana;">- <a href="https://beaux-arts.dijon.fr" target="_blank">https://beaux-arts.dijon.fr </a></span></p><div style="text-align: left;"><span style="color: #444444;"><span style="font-family: verdana;">- Crediti fotografici: </span><span style="font-family: verdana;"><span>Depôt du Musée du Louvre, Paris, Inv. N 2684 ©</span><span style="caret-color: rgb(32, 33, 36);"> Musée des Beaux-Arts de Dijon/François Jay</span></span></span></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-59132934869046846002022-11-02T04:42:00.004-07:002022-11-02T04:42:49.805-07:00La collezione egizia e vicino-orientale dello SMÄK di Monaco di Baviera (Staatliches Museum Ägyptischer Kunst) <div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;">Fra i diversi musei che ospitano collezioni egizie in Europa, lo SMÄK (<i>Staatliches Museum Ägyptischer Kunst</i>) di Monaco di Baviera merita sicuramente un approfondimento, non soltanto per l'ampiezza della sua raccolta e per le opere che custodisce (autentici capolavori che per la loro qualità si sono guadagnati la propria fama a livello internazionale) ma anche per la particolarità del percorso espositivo.</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium;"><span style="text-align: left;">Il museo, </span><span style="text-align: left;">in precedenza collocato nell'ala <i>Hofgarden</i> della <i>Münchner Residenz</i></span><span face="arial, sans-serif" style="background-color: white; caret-color: rgb(77, 81, 86); text-align: left;"> (</span><span style="text-align: left;">Residenza di Monaco),</span><span style="text-align: left;"> è oggi situato nel</span><span style="text-align: left;"> </span><span style="text-align: left;"><i>Kunstareal</i>, il </span><span style="text-align: left;">quartiere di Monaco dedicato ai principali musei cittadini (fra i quali è presente anche la <i>Alte Pinakothek</i>).</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;"><br /></span></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3456" data-original-width="5184" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikLn2J9rw0pE9v8e2sRXm8D6D3yajvGxjSB9RIja_y6_TH0usZI-s9lmPvSs7RKGfRmAxCLDsZvnwNMMENhcz3lhD6IHvAg8FEHlljTPscgTphBmQ-5CoCe2w-l0KMOj93YzgooTmLzHI4Uq5fQWWJqqVMdkYGm1MaKsuo9cJai4Od5AEOsO3XgXnf/w640-h426/IMG_5752.JPG" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 1 </b>- Veduta della sala "<i>Kunst und Form</i>";<br />sulla destra, particolare di un gruppo statuario in calcare.<br />Nuovo Regno, XIX Dinastia, 1220 a.C. circa,<br />da Menfi</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium;"><span style="text-align: left;">L'edificio, dall'architettura moderna e avanguardista, è interamente dedicato alla collezione egizia e vicino orientale; vi si accede scendendo attraverso una grande scalinata che conduce all'atrio (denominato "<i>Kunst und Form</i>") che ospita le opere scultoree, dove subito si percepisce l'</span><span style="text-align: left;">ampio respiro che viene dato alla raccolta.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium;"><span style="text-align: left;">La disposizione dei pezzi, collocati su alti piedistalli (<b>Fig. 1</b> e<b> 2</b>), ne consente un'osservazione diretta e a tutto tondo, arricchita da un gioco di chiaroscuro creato dalla luce naturale che filtra dalle grandi vetrate e</span><span style="text-align: left;"> dall'illuminazione artificiale.</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="1339" data-original-width="1440" height="597" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJn-VvUtEyfdvAyj_lNNAri1TQcqJgN7GGhUDahgfG0OwRypLkfcjF44X0ufZFM86DZiMu0ryONbDEOxOTL0yxEFsjC_Tv2Fvc7JAJOFdzKMZ7Iap0OHBvpB3TTO_ZtW_Ekob49h4wEF6SujuZrqFKcEThC6VwHxav8iqCzu6pI2wY9EX-oUwwQKIy/w640-h597/FDD3D555-BD71-4B8A-A7D1-D7EA846D3E11.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 2</b> - Testa della statua in granito del faraone <i>Ramses</i> <i>II</i>.<br />Nuovo Regno, XIX Dinastia, 1270 a.C. circa<br /></span></td></tr></tbody></table><div class="separator" style="clear: both;"><span style="font-family: trebuchet; font-size: medium; margin-left: 1em; margin-right: 1em; text-align: left;"></span></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;">Una grande scritta al neon sulla parete (<b>Fig. 3</b>) recita:</span></div><div class="separator" style="clear: both; text-align: justify;"><p style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;">"<b>ALL ART HAS BEEN CONTEMPORARY</b>"</span></p><div><span style="font-family: trebuchet; font-size: medium;">Ideato da Maurizio Nannucci, artista italiano autore di diverse installazioni collocate nei musei di tutto il mondo, lo slogan lancia il messaggio che lo SMÄK vuole trasmettere al visitatore fin dal principio del percorso: trovare la creatività artistica nel linguaggio degli antichi egizi e, attraverso un dialogo aperto tra le opere e lo spettatore, colmare la distanza temporale che separa il moderno visitatore dal proprio passato.</span></div><div><span style="font-family: trebuchet; font-size: medium;">Il tipo di esposizione favorisce sicuramente la comprensione di questo messaggio, essendo gli oggetti per lo più celebrati individualmente come monumenti d'arte.</span></div><div><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3132" data-original-width="4267" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQksWGuJgIjMsgchIxIS31qxKmoOivpNnnQFWENUEJQJMHqbDqnISMYLdHTaqWWrymxxpulUS9rXhzo5-gTbsRsKSUrbRyD0iIp2BBcPwJvCCbs69NEvufv0kLfiaWtUHIlgCIne3ct_3X4rfQvamDTMqcpeH_RS1DWNt7WBt3ZKTrwPv30QpjsGsR/w640-h470/IMG_5922.JPG" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 3</b> - Sala "<i>Kunst und Form</i>" e slogan di M. Nannucci.</span></td></tr></tbody></table><div><span style="font-family: trebuchet; font-size: medium;"><br /></span></div></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;">Il percorso non si sviluppa in un ordine cronologico standard ma secondo un circuito di sale tematiche, alcune delle quali sono mostrate di seguito (<b>Fig. 4, 5, 6, 7, 8, 9, 10</b>).</span></div><div class="separator" style="clear: both; text-align: center;"><ul style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsY3UPfvTghQGH1TKWoJRRk0Bb34asY1rejEb4UH2FQ7OHGU87fMnLSwDOhyo2jLV-PQ-tMG_A9jBig2GunwiTZuIYQw9idisbtM0HLP3wAzI1LDVccxpfqrqDRifmM0Gtv9Lk4GHkLKe16hqaXkz6jFWNoCMTsodLfx50V_-u1PL-i3gIEDXlgfes/s2816/DSCN6800.JPG" style="margin-left: auto; margin-right: auto;"><span style="color: black; font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="2112" data-original-width="2816" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsY3UPfvTghQGH1TKWoJRRk0Bb34asY1rejEb4UH2FQ7OHGU87fMnLSwDOhyo2jLV-PQ-tMG_A9jBig2GunwiTZuIYQw9idisbtM0HLP3wAzI1LDVccxpfqrqDRifmM0Gtv9Lk4GHkLKe16hqaXkz6jFWNoCMTsodLfx50V_-u1PL-i3gIEDXlgfes/w640-h480/DSCN6800.JPG" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 4</b> - Sala <i>"Obelisk"<br /></i>(Obelisco)</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIT15DPJe_BFjjeCH-4RoTSbm_O_1-xQEnfQSI37vv1xl2RoeDze8ZkpFeqEwJAs4uFeaaGf4FLpE2Udr6urTeXAIxGAhvKhuzUjVfBJG3bDLgDpT-VSG7N37OaZ5ILYWUPQvz4RhpUNC9NqipEFZf_NFirONWSprmO_gObZVvnUEYlpxUGvd1joOg/w640-h480/IMG_9894.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><span style="text-align: justify;"><b>Fig. 5</b> - Sala </span><span style="text-align: justify;"><i>"Pharao"<br /></i></span>(Faraone)</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ4v1ocye68VkO5MNncPAn12s8HJXptiKxz-yFt-YvEbPt5XUkJSeF3dlsOcD7kqHcSk9_NwOivW4rmrV8Mik3lefoVqTnNzvIsnNvqKHgMqSHbyLuY2QL4Bmlve2neMPCHLAOG7nAgKkQvv36IspsxBIMzFJxDLhs8YOEzIg-c_EzDLRb5vz82fM0/w640-h480/IMG_9902.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 6 </b>- Sala "<i>Fünf Jahrtausende"<br /></i>(Cinque millenni)</span></td></tr></tbody></table></ul></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOsryfcxV971RwXVOYiPu6uwa8HK42S5863unpaYD5CcDXEJ_BmmMOgZcM2Vf9zrkSRAm72WhnqqQxZDLEiVAmOy6oTgBeJ9tGbc1rpO0CgWGEBoe3DKtDC9P7dNMnILwAgw_fgqFSfMZj5nGGhhqRZ4hbzHVHeLfXbjAxJjD-ryRJlATKIYi0iulI/w640-h480/IMG_9950.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 7</b> - Sala "<i>Jenseitsglaube"<br /></i>(Vita nell'aldilà)</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3406" data-original-width="5110" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbhpUQyAOvvyiJFYHeZjQ5i8At4p-WqGVKYQV6cIGBkmOnVMvwbiUW2hDdsVDqFXOmpQBGuDnitCKlgntNhAu-HfCigumuv0Vjn5ekSDip6fCqrZY5z6V4ZDfkbtYa1eNgwV_VSp_VYIX2BiUlV21gGbrufdUZzmZdnasQwnuLfTdj17U7A8PQntKz/w640-h426/IMG_5982.JPG" style="margin-left: auto; margin-right: auto; text-align: center;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 8 </b>- Sala "<i>Religion</i>"<br />(Religione)</span></td></tr></tbody></table><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3427" data-original-width="2726" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF0QjsplGCOczeFwsG0MAe2yQMhNd7zCOMVymKYfZcD992s9OIU7EKR3O_BHzUexWHTg-eykx-k6VUXfnLwSZFPIDqzvJWh1FPHzCs0tnTdN1POksbkZwkTrHSYF5iQUubDDZVA2-g2sNJfJcBL0HnifkMyklTzF9gkzT_fLf5tRhZtM_v869zy_oS/w510-h640/IMG_0021.jpeg" style="margin-left: auto; margin-right: auto;" width="510" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 9</b> - Sala "<i>Schrift und Text"<br /></i>(Scrittura e Testi)</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPGRFUxWyqaHnhFjzYtpxJURFvYByy2N1K8vQzTdyyKTaWadKpeX103pOoN3qgafqqE2YORy6Frzb9XWWk8Ob5rgilyLcrsBTi3SkVccehnhHgAcIO9GQPslPE0qClSvLmpifbBLM6Uefar2vTDck2rCie-l_CMC7OnU5UyJtV7bMEEg6AmigWeLy4/w640-h480/IMG_0064.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><span style="text-align: justify;"><b>Fig. 10</b> - Sala "</span><i style="text-align: justify;">Kunst-Handwerk" <br /></i><span style="text-align: justify;">(Artigianato)</span></span></td></tr></tbody></table><span style="font-family: trebuchet; font-size: medium;"><br /></span><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">Colpisce in maniera particolare la sala <span style="text-align: center;">"</span><i style="text-align: center;">Fünf Jahrtausende" </i><span style="text-align: center;">(trad. "c</span><span style="text-align: center;">inque millenni", <b>Fig. 6</b>) nella quale una teca lunga diciassette metri espone circa 750 oggetti tra manufatti litici, ceramica, stele, sarcofagi, amuleti, <i>ushabti</i>, <i>ostraka</i>, armi e maschere funerarie che, </span><span style="text-align: center;">disposti in ordine cronologico su una terrazza sabbiosa a tre livelli, raccontano cinque millenni di storia dell'Egitto, dal 4000 a.C. al 1000 d.C. circa.</span></span></div><div style="text-align: justify;"><span style="font-family: trebuchet;"><span style="font-size: medium; text-align: center;"> </span></span></div><div style="text-align: justify;"><span style="font-size: medium;"><span style="font-family: trebuchet;"><span style="text-align: left;">Interessante anche la sala a tema "</span><i style="text-align: left;">Kunst-Handwerk</i><span style="text-align: left;">" (trad. "artigianato", <b>Fig. 10</b>) che, con le sue grandi vetrine dedicate ognuna a</span><span style="text-align: left;"> pezzi caratterizzati da un determinato materiale (argilla e maiolica, pietra e metallo, legno e papiro, ecc.), </span></span><span style="font-family: trebuchet; text-align: left;">illustra la varietà degli oggetti ed i loro utilizzi.</span></span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium; text-align: left;"><br /></span></div><div style="text-align: left;"><span style="font-family: trebuchet; font-size: medium;">Vi propongo di seguito le foto di alcune delle opere esposte nel Museo:</span></div><div style="text-align: left;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzODFDCjqSGfcH7tkLcawwC-oQnzFYPMc54omuIh3XULlGmpoxXhBxlOGMLgsUMM3-3KMqTp9UWN_O_jk9OfRYGoENB4pYoaifmpNbbRPKFZzCwBzcbue5_B64B9ut_InJW3iy37opQYlwyrsKkO75RN0vIVSwm0fOtxCInK6AYispnk6jtYui-4a/s2997/98AB941F-1536-4A03-93CD-2B650DDDA045_1_201_a.jpeg" style="margin-left: auto; margin-right: auto;"><span style="color: black; font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="2997" data-original-width="2701" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzODFDCjqSGfcH7tkLcawwC-oQnzFYPMc54omuIh3XULlGmpoxXhBxlOGMLgsUMM3-3KMqTp9UWN_O_jk9OfRYGoENB4pYoaifmpNbbRPKFZzCwBzcbue5_B64B9ut_InJW3iy37opQYlwyrsKkO75RN0vIVSwm0fOtxCInK6AYispnk6jtYui-4a/s320/98AB941F-1536-4A03-93CD-2B650DDDA045_1_201_a.jpeg" width="288" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 11 -</b> testa di faraone<br />con la corona dell'Alto Egitto, in calcare<br />Antico Regno, IV Dinastia (2550 a.C. ca.)<br /><br /></span></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">La testa del faraone in <b>Fig. 11 </b>rappresenta probabilmente <i>Cheope</i>, il costruttore della grande piramide di <i>Giza</i>, il cui aspetto è noto solo da poche raffigurazioni.</span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">In questo frammento il faraone, che indossa la corona dell'Alto Egitto sopra la fronte bassa, è rappresentato con il naso smussato e le labbra carnose: i tratti sono enfatizzati, quasi a voler raffigurare l'espressione del volto.</span></div><div style="text-align: left;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div style="text-align: left;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="4388" data-original-width="3450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQP1eLJ9F5DhiimcjSpygRWeCAgEMfc5WoRxEvaRzvMWaG2TTPFs0HVZiCq-tF3oiG7sAIMYnAP04r6cepXnbIinHs33OYvDnA1ECTRTPykQjjBC1Wryof-K1UEnMnEQSKnTI7p0R-y0k9MJdEW4teDZzRQnv10u_STEpu40QM0Q4qxmfoccWTHW7z/s320/IMG_5754.JPG" style="margin-left: auto; margin-right: auto;" width="252" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 12 -</b> gruppo statuario in calcare,<br />Antico Regno,<br />V Dinastia (2400 a.C. ca.)<span style="text-align: left;"> </span></span></td></tr></tbody></table><span style="font-family: trebuchet; font-size: medium;"><br /></span><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWT8Vj9B4wsJQ_0_COpcnQVMhV8E3OMjVZLbfUxLbyJr3-i0Sx2jx8Nl7BKdTqHANwOPKWmwdQ7vJ4n4G8U3Rk8N-IBYA-FNNdwZ27z6lSdzFXlZ4pLvk3LvwM021YyGe1q1p6hnYJwJ8OTxb-x9llx-M6-DhqboQ_21IiBeeTDYpUu54NvFQ1cy_/s5060/IMG_5756.JPG" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="color: black; font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3429" data-original-width="5060" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBWT8Vj9B4wsJQ_0_COpcnQVMhV8E3OMjVZLbfUxLbyJr3-i0Sx2jx8Nl7BKdTqHANwOPKWmwdQ7vJ4n4G8U3Rk8N-IBYA-FNNdwZ27z6lSdzFXlZ4pLvk3LvwM021YyGe1q1p6hnYJwJ8OTxb-x9llx-M6-DhqboQ_21IiBeeTDYpUu54NvFQ1cy_/s320/IMG_5756.JPG" width="320" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 13</b> - particolare del gruppo statuario<br />in Fig. 12 con i piedini del figlio della coppia<br /></span></td></tr></tbody></table><span style="font-family: trebuchet; font-size: medium;"><br /><br /></span><div class="separator" style="clear: both; text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="5184" data-original-width="3456" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYatd6bNJfTd_I1FzeML8VE5OPpNaB5QTz3m6sDD8f1yq8UM_IvMH8Hi6Iv2hegIKuxH_GDT5Ey--zXxNArnBjJP4G_WxU1ubLSVIs4YcSSMukq7_ipvxCBfhedG1qwgCRITJBbUXdxJ8vlByskAlnEFQ1SazsP-IU3xwjk8y-7aM_av1jv943Hp93/w426-h640/D9B1064B-01B6-48D0-904B-5A275AE85263_1_201_a.jpeg" style="margin-left: auto; margin-right: auto;" width="426" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 14</b> - Gruppo statuario in calcare<br />del sacerdote <i>Neye</i> con sua madre <i>Mutnofret</i><br />Nuovo Regno, XIX Dinastia, 1250 a.C. circa<br />da Tebe Ovest</span></td></tr></tbody></table><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">Il gruppo statuario di <i>Neye</i> e <i>Mutnofret</i> (<b>Fig. 14</b>) colpisce in particolare per diversi aspetti: la modellazione del corpo, i dettagli delle dita delle mani e dei piedi, la plissettatura degli abiti e la struttura delle parrucche denotano un'alta qualità artigianale.</span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">Le due statue conservano tracce di policromia e di doratura (queste ultime visibili nei collari, nei bracciali e nel copricapo di <i>Mutnofret</i>).</span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">La postura rigida si combina con i volti idealizzati a creare lo stile formalistico ed impersonale tipico del periodo Ramesside.</span></div><div><span style="font-family: trebuchet; font-size: medium;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3456" data-original-width="5184" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhok_QrbkCSrET4ebTvC4NQS4ws12TKoZgVFOGB4SMW1oCKnEO6NWiE1tHF1oRNXrjsAWbL8BBtO3IRnOVsxDVnj9T8IQCIT4vg7j5w7-hW-g1MYq1kx1thubBZlKg8Q5I_XNxdKXw4BMykRKwKsYYVaZxcF1T6RBPnMDWO55EZiKd2NyOzHoweH9zn/w640-h426/07254360-9C0C-49DB-8171-EEF229861D97_1_201_a.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 15</b> - Particolare dei rilievi parietali di <i>Amarna</i>:<br /><i>Akhenaton</i> (figura sdraiata) con babbuini in preghiera<br />su rampa che conduce alla pedana del trono</span></td></tr></tbody></table><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="1520" data-original-width="2599" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8mJxQ4jFenbGNQlVLK51EGYqzzOm8gcM1iIKTPXf09Vqys8ZhwZ0mkgfwmD3uC3kAsShcMcyjPHLxE-Qo82mUW8ONbXjw9lcxYMplMJrk4AiyI55dgUd8FlevE8vxQxd12BPesRKmO2Dt_CpxcudZLSTGfyBkuzwD-nDkjC_szZUzzjile0MvBDy8/s320/4CAC7811-1257-43A7-BCEF-7C2F16886E2D_1_201_a.heic" style="margin-left: auto; margin-right: auto;" width="320" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 16</b> - occhio in calcare<br />con bronzo ed ossidiana<br />(dalla <span style="text-align: justify;">Sala "</span><i style="text-align: justify;">Kunst-Handwerk" <br /></i><span style="text-align: justify;">- Artigianato)</span></span></td></tr></tbody></table></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3453" data-original-width="4888" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvTb6D_5KMXVsLMpdvhp5qYM8k-VrEjNAb4GoKqtHOuSxMo8x6FwuaZNOzbMSyxMs8HtPfIITzKagTQSYlIT_6CiFYeOohGR0m3pQKXmep1NdgWCPSrz4UHAbVnwEovKiExpIdBrvM5Xygewrf--vQpfxwHl2V6A02LsYCFF003UHsbDkSyJnAxB_N/w640-h452/C176191C-C22C-4E45-A446-A52EC3FE5B5F_1_201_a.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 17</b> - Testa di statua di <i>Montemhat</i> in quarzite,<br />XXVI Dinastia, 610 a.c. circa</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3337" data-original-width="4373" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidAWruC8eKqP_HvtR-9644elr7tGIIfXgBiRvwdcltLjw3e8e7o4Wj529UDfdo4vpnCO0jt5vuqEg_gSc3XEbhyJb5JlKKnvNdGfaQKlMXZnK3whaSRYY2ZrDpx5MMT9zTVrryMTPsxbfLH7N3G0RKQ7rmXmSA2RAhQ78t3iJrEhTA2fVdo2fheeaj/w640-h488/697F94E2-DEB4-448E-8C06-EB5ADA624FD6_1_201_a.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig 18</b> - copricapo reale da figura di sfinge, con tracce dorate<br />Medio Regno, XII Dinastia, 1800 a.C. circa</span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOR3fmfmIs2QxUspPAJ1WdyFPkifp1IyZWJgWwI2Q-V0PVySRSHPYGp-S8DS9cUeZC9IX0UGZl5pY5VvE7Zzc89e1mBfpKrAUvJ-SiSbWdjbPcB5497V-QsOkPm8_C1HR4QXQM_ZOngsdcrAGTOfFwX966JZUlFAR9dXuWiv5rTF1bkFCIrN9ef4Gj/w480-h640/3B6585BE-66C0-4744-9D6E-C12CB3815994.heic" style="margin-left: auto; margin-right: auto;" width="480" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 19</b><br />Corredo funerario <span style="text-align: left;">appartenuto ad una bambina,<br />composto da un sarcofago in legno dipinto<br />e da contenitori di generi alimentari.<br />Nuovo Regno, XIX-XX Dinastia, 1100 a.C. circa<br /><br /></span></span></td></tr></tbody></table><div></div><div><span style="font-size: medium;"><span style="font-family: trebuchet;">Tra le ultime sale, una è dedicata ad accogliere reperti provenienti dal Vicino Oriente Antico, fra i quali una parte della decorazione a bassorilievo della via processionale di Babilonia (</span><b style="font-family: trebuchet;">Fig. 20</b><span style="font-family: trebuchet;">) e alcuni rilievi provenienti dal palazzo Nord-Ovest del re Assurnasirpal II a Nimrud, di età neoassira (</span><b style="font-family: trebuchet;">Fig. 21</b><span style="font-family: trebuchet;">).</span><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><br /><img border="0" data-original-height="2644" data-original-width="4006" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR35CE8RWmrFKENn5XnuyWI1Rp_bZ1-hVwExsbZmdnFsIX84lODqo4tDjCHupKPN3m37y5e0E7QzhV09h3bUFHvb3hS3-1_toPrLCh87LEVTxrChulL5NIUbwzM_JM1qZ0iZpr5X1Z3UonIHykCzNg46pldMTABGvBKKZKnLYIMwp3ggkgokQQPJV1/w640-h422/IMG_0069.jpeg" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 20 </b>- Sala "<i>Alter Orient" </i>(Vicino Oriente Antico)<br />Leone che cammina, animale sacro alla dea Ishtar<br />Età neobabilonese, 580 a.C. circa<br /><br /></span></td></tr></tbody></table></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkRcGrNUkA28o5xG5u6OBPIKt8dyPvBrndY2cqT4fwKbWDe9ndjeM-YQZhh_onJM4AwkRamNYU_fmI01QX40WR9bKWAOtLrOfuAiCOUK8lKbdGjg2d7u9Zfert3-q1hM5TxTss2KIXmmltMVJJZEvrKYw_bsZ-k2deWU-woZ-dioenK1t_r4Nb7ZI/s4032/F7E4BF5C-0CD5-411D-86AD-C08E62249EAD_1_201_a.heic" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: black; font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkRcGrNUkA28o5xG5u6OBPIKt8dyPvBrndY2cqT4fwKbWDe9ndjeM-YQZhh_onJM4AwkRamNYU_fmI01QX40WR9bKWAOtLrOfuAiCOUK8lKbdGjg2d7u9Zfert3-q1hM5TxTss2KIXmmltMVJJZEvrKYw_bsZ-k2deWU-woZ-dioenK1t_r4Nb7ZI/w640-h480/F7E4BF5C-0CD5-411D-86AD-C08E62249EAD_1_201_a.heic" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><b>Fig. 21</b> - Sala "<i>Alter Orient" </i>(Vicino Oriente Antico)<br />Geni alati e barbuti con attributi vari<br />Età neoassira, 870 a.C. circa<br />dal <i>Nimrud</i>, Palazzo Nord-Ovest di <i>Assurnasirpal</i> <i>II</i></span></td></tr></tbody></table><div><span style="font-size: medium;"><br /></span></div><div><span style="font-family: trebuchet; font-size: medium;">Due sale sono inoltre dedicate all'Egitto romano ("<i style="text-align: justify;">Ägypten in Rom - Nach den Pharaonen", "</i><span style="text-align: justify;">l'Egitto a Roma - Dopo i faraoni" - <b>Fig. 22</b>) e alla Nubia / Sudan ("</span><i style="text-align: justify;">Nubien und Sudan").</i></span></div><div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;"><i><br /></i></span></div><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="3979" data-original-width="2413" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAtllVSpGUYdfnKbCi0f9Ehs95WwS9sKogOgFL1Zn2HzhyLR-vQZ08HRgo8kaGvLN8RrZ-oss3d_GP9EONCG5nK17CF6TKLz651EJtyDrLrtdlgaR_DZ931WPKIwIqEPgSGCFVvRNjHclNAry_Wt3gZJTbUX6FTyO7KXsylWFGjuF1I19ysPucVcWf/w242-h400/IMG_0017.jpeg" style="margin-left: auto; margin-right: auto;" width="242" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><b>Fig. 22</b> - Figura in bronzo<br />della dea <i>Hathor-Luna</i><br />con copricapo a forma di crescente lunare,<br />Età tolemaica, II-I sec. a.C. </td></tr></tbody></table></span></div><div><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div><span style="font-family: trebuchet; font-size: medium;"><img border="0" data-original-height="1849" data-original-width="1779" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibvJyWCOzRBlbini-p4YROXSCg6nzhPAzqM6kzsi4dCutkxLz_teRWTmnMjnULjMuJGRQPL6uAZTt8ua7GvZ9AYUE8Sc6vNc3FXVTtoYaB5-k6JOfTTTOeMGQANS3BAM7YatPPe3BpzxLlllaYoekui_LrR489DHkpaOsUfHI0H6k7rKyB90ACJ52s/s320/IMG_9860.jpeg" style="text-align: center;" width="308" /></span></div><div style="text-align: center;"><span style="font-family: trebuchet; font-size: medium;"><br /></span></div><div style="text-align: center;"><div style="text-align: justify;"><span style="font-family: trebuchet; font-size: medium;">Bibliografia:</span></div><div style="text-align: justify;"><ul><li><span style="font-family: trebuchet; font-size: medium;">S. Schoske, D. Wildung, Das Münchner Buch der Aegyptischen Kunst, Verlag C. H. Beck, München, 2013;</span></li><li><span style="font-family: trebuchet; font-size: medium;">www.smaek.de</span></li></ul></div></div></div></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Gabelsbergerstraße 35, 80333 München, Germania48.1470084 11.56828619.836774563821152 -23.587964 76.457242236178843 46.724536tag:blogger.com,1999:blog-7432882950208159318.post-29628164577653427532022-09-02T13:12:00.007-07:002022-09-02T13:19:08.734-07:00La basilica di Santo Stefano a Bologna: testimonianze del culto di Iside in età romana<p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCws2ppm3IbqkznxyDFfsVxn5RtQoNRpF02S4e6YTaFLEvAjLlXEyOaXtqYBv3WRgkOmK9-arpqPVX4oDTwR7gFrL3u73IcorxMiNYOJFVWxjBH90Oso43kEq7cOZ8NvFMG4JfFOXGHV6BNPU_QefS-LWcOWg6nlrJcZtHFjX8UXNaAdV2A0Oj-_eP/s320/IMG_1241.jpeg" width="320" /> <img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi195cG8NvxbfDOW1_CxXykwVrOO5fBNaB4BX1rzgRed7GZG-7ZLp6iSYd-MeRW5g3IsCdsmlwUj3X3TXOAcXBwGZsqJsQy9HogOBgRzanGdT2ZGG2_ghhkZjsV55n7tUILqS9k4L_J5iXXxSUAAV7lNAWLC5AqVYlvLwwA0pcR6IXft0m7ps_zmrQJ/w320-h240/IMG_1185.jpeg" width="320" /></div><p style="text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;">Del complesso romanico della basilica di Santo Stefano a Bologna, </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;">che comprende la Chiesa del Crocifisso (XI secolo), del Sepolcro (riedificata nel XII secolo) e dei Santi Vitale e Agricola (XI secolo), la Basilica del Santo Sepolcro custodisce il nucleo più antico del gruppo.</span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">L’edificio, a pianta centrale dal perimetro ottagonale colonnato, sormontato da un’alta cupola, contiene un’edicola marmorea che riproduce il Santo Sepolcro di Cristo a Gerusalemme, edificata secondo <span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>la tradizione dal vescovo Petronio nella prima metà del V secolo sopra una fonte d’acqua.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><img border="0" data-original-height="4032" data-original-width="3024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRAOzjWr2H9nrcwdWhQ7qoQpBuB98yhbMkHBD_AhViN8dRr4P-6HUkfbXsbl8ZxNN77zdL-0PylkRcYlYiYgL-e8w1a9CqchqIwOG5xxir9vOuM2alJJIQy5Xvzgw6-YOuWFeMoIb1PI9xWaF0-MEbxGJQJSET05oi71MwG8DXAhOlejAMoDyw38AK/w480-h640/IMG_1206.jpeg" width="480" /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Nel pavimento della chiesa, un pozzo coperto da una grata contiene infatti l’acqua di un’antica sorgente che ancora persiste (nonostante l’abbassarsi della falda) e che nella simbologia cristiana venne identificata con le acque redentrici e miracolose del fiume Giordano.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTarHaPZpJplIjMPAEOKVrj5siFbwLJSZcGe8X8FeCIsZi95zGvGMc5o9xV-9LhxlHOIFN3jEeGfoJJWub04miNfjRbiRNY9WAEDJt4PcpgYEbPpbxHmhBiGZREpcMI48TSjaHKftrL6G-KZq7hN6Xm49fpErEpQc-dnj3A-6_TigZWlpXm5RoiC2K/s320/IMG_1190.jpeg" width="240" /> <img border="0" data-original-height="2836" data-original-width="3726" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAP0Qvp0chVBEY0VqMyFFdUg1MC8ANJPaYR49U2GflohTKpq2aEZ4Wq-K8Qrc1eYO0Yr-yOUNnS-FyjMjhA2r7McEf5RbJ-btlzhRLl0RRzZHqlvlhSUPd85Ko_u7e4uzi4yHdS_ofkpFw_dw9J7bi9HvGrvUVMAZ9QgWTrwKT4F4mVbXj1YJGNW5g/s320/IMG_1234.jpeg" width="320" /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Alcuni studi hanno ipotizzato che in questo luogo, precedentemente, in età romana, venisse praticato il culto di Iside e che la fonte fosse sacra alla dea stessa.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">La teoria è supportata soprattutto dalla presenza di un’iscrizione lapidea in marmo bianco, dedicata ad Iside e datata tra la metà del I e la fine del II sec. d.C., murata su un lato del complesso, nel cortile antistante, fra i due sarcofagi medievali che custodivano le spoglie dei primi vescovi della Chiesa di Bologna.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtNkM5oIYstvZjgnEzomOhF_FsRrE-6HFcJviUYwjA3f6jwbSd8VSXuZclWZgSaP-VMG7Ro4VGV6p4CMeTACfh5UGBapVBBAwQh173DrAXBiOJRtl20ml9NMXNf3xoVOt276vt7D4c3arWy7fmZn-1BNbdodR2J6i1DQeLw_nNejJ9CTE9TQ_frKZD/s320/IMG_1242.jpeg" style="caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; text-align: center; white-space: normal;" width="320" /> <img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg00BTPQ95ZsRkEuTn3cQaaIH-c8yl76AYvEWQ8HlouVpPm-ohAx5y_cm5anQQHwJjrq354pQ0EETlkQF4-OhAYjJUHRyZiEHnWoi5uOz-qW4ptn7teXhiozJ30AE2aT5qfqxGZcGHmQGEm4X-5YYISGfg5QIakd7kLDkMds5nddHcdnnWBkdl0Hlp8/s320/IMG_1243.jpeg" style="text-align: center;" width="320" /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3-jqRtehk2tGtQQ9HYL0gPE0PgbE-uvoD3pAbXxGWmCB0xJ8XEvID98HYP5KjEf3x3WCHxHOzyodhHu6dIboTzYOFgV6xdwIRMYoMmevIwYYouEGR9OCJKm_jlPdIiiTqUcHeVUidsvhG_kEHdhlmhn9sGzjz1b4bqZsyk05vuSJ2ZA0gLChyaLkB/w320-h240/IMG_1236.jpeg" style="caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; text-align: center; white-space: normal;" width="320" /> <img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Q5A0S9ml1RnitCuvzevDoFT3KRabiYLMvAQlZ7A7togRTUDPl7cfP9PUhELZI6yIUGb8deJQly9v7NrIlKc5o4_QiF1YH5SEfn7irJp70y1XalaNV1UnRLijI-RhXBR1QEGibJpbP5wTh_FhG83P7hYFIM4VfR-1ahXji2yArY2qytIsCQfvVLPZ/w320-h240/IMG_1237.jpeg" width="320" /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Fu per volontà testamentaria della liberta <i>Sextilia Homulla</i> che venne realizzata questa dedica alla dea:</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><div style="text-align: left;"><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT"> DOMINAE ISID[I] VICTRICI</span><span class="LineBreakBlob BlobObject DragDrop SCXW54412154" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;"><span class="SCXW54412154" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: top;"> </span></span></div><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT"> NOMINE M(ARCI) CALPURNI </span><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT"><span class="ContextualSpellingAndGrammarError SCXW54412154" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: top;">TIRON[</span></span><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT">IS ET] SUO EX PARTE PATRIMONI SUI</span><span class="LineBreakBlob BlobObject DragDrop SCXW54412154" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;"><span class="SCXW54412154" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: top;"> </span><br class="SCXW54412154" style="box-sizing: border-box;" /></span><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT">SEXTILIA M(ARCI) LIB(ERTA) HOMULLA PER ANIC[ETU]M LIB(ERTUM) SUUM UT FIERET TEST(AMENTO) CAVIT</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span class="TextRun SCXW54412154" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: top; white-space: normal;" xml:lang="IT-IT"><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT">“Alla dea</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"> Iside</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"> </span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT">Vincitrice, </span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT">con parte del </span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT">proprio</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"> patrimonio, </span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT">a nome proprio e di Marco </span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"><span class="SpellingError SCXW124918580" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: top;">Calpurnio</span></span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"> Tirone,</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top;" xml:lang="IT-IT"> Sex</span></span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top; white-space: normal;" xml:lang="IT-IT">tilia Ho</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top; white-space: normal;" xml:lang="IT-IT"><span class="SpellingError SCXW124918580" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: top;">mulla</span></span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top; white-space: normal;" xml:lang="IT-IT">, liberta</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top; white-space: normal;" xml:lang="IT-IT"> di Marco,</span><span class="TextRun SCXW124918580" lang="IT-IT" style="border: 0px; box-sizing: border-box; caret-color: rgb(0, 0, 0); color: black; font-family: "Museo Sans", Helvetica, Arial, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: top; white-space: normal;" xml:lang="IT-IT"> stabilì per testamento che venisse fatto ad opera del suo liberto Aniceto”.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: center; white-space: pre-wrap;"><img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL_X4XyGPifVHOQpPml0xpk67_TWECHG083kiy8jr2BYYEA82wOyyTbnc0h7dzmkO1cQWysDHWMtWXqS0q2huTIYPoBmV1CIQ35D83Ah71BNJrOk_kPo_ZlE1K_Owcyx4WYY7RYeKMwtHH1PXU2IrcTTDDeuY-bNQPoPtsQ81DCjZtqqKZtinXii_A/s320/IMG_1238.jpeg" style="caret-color: rgb(0, 0, 0); color: black; font-family: -webkit-standard; text-align: center; white-space: normal;" width="320" /> <img border="0" data-original-height="3024" data-original-width="4032" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQK-7T0M_KWQGKSBU91R8ZXqm6773lQoGFkT9rusNfWDP9BjQpZusffQb4PlTthLJChHfkWL2uOw2IBARbUpZnKC7-wehpEl11RPMWuuGBxjwf22BjkETo4x_64PSocdOksw-Hv1zBPAqrvcFTa7LBHMUn93SMFPUril2-TwNaaB6K5qtdXbyWgQfS/s320/IMG_1239.jpeg" style="text-align: center;" width="320" /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Si suppone che in corrispondenza dell’edicola interna alla chiesa, tra l’80 e il 100 d.C. fosse stato edificato un luogo di culto sacro alla dea Iside per iniziativa di Calpurnia, ricca matrona bolognese. La sua collocazione, a est della Bononia romana e a breve distanza dalla Via Emilia, era in una zona ricca di sorgenti e comunque al di fuori dell’abitato, come già attestato per altri luoghi di culto isiaci al di fuori dell’Egitto.</div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="3024" data-original-width="4032" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja8auDKD_fVJhfrztg8SLh5nR2qKOLDM-N3oTWeRJIB2TbmGzERsC6P-HPbwpahQIoYSLoIan-hRALHXOkzIKhOcOkWpkXS1fkxb7_NKKsLYGTozlqaWK6audzAGZq0xi2vw8Zs7F2ZOA86cYUsdL0Q2D0prIgBTpgLdXjKSFWW8tUVdGRhzETb3F7/w640-h480/IMG_1231.jpeg" width="640" /></div><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Via Santo Stefano, 24, 40125 Bologna BO, Italia44.4921447 11.348492416.181910863821152 -23.807757600000002 72.80237853617885 46.5047424tag:blogger.com,1999:blog-7432882950208159318.post-41456820705813642712022-06-08T07:10:00.002-07:002022-06-08T07:12:48.366-07:00La nuova Sezione Egizia del Museo Civico di Crema e del Cremasco<p><span style="font-family: helvetica;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="2880" data-original-width="4032" height="202" src="https://blogger.googleusercontent.com/img/a/AVvXsEhZVw8Oexp_3qRAMwhdAftHEmOL_GeGjkZIkC8Qfs1ZpD1IYoUUWu7ic_QKFqhknstZg_GsbLVMD6irEp-fLt99Y29T_KaypTcTiIizkEAoYeNgR9Utu7p3BaaUcVyHg5yX-iX9_YY1EzHk-lDY_hNLbVRsZ6-TFlzchI9wonLJ7bWcWO8BUPSj7NDn=w282-h202" width="282" /><img border="0" data-original-height="832" data-original-width="1480" height="203" src="https://blogger.googleusercontent.com/img/a/AVvXsEipjeCh7QK-YjhCOzS7aPZM6kIQHXXlaW_ZUNNE_IzN7Tr6x-5fKiSdqg5xemZgtiRg0u7PWSf2uBrN6Ebe5P_SzX2xg15lLyOQ3ez5acNBYCqWKFWvWob3l55BJH9jsRrIG4-P-DV6CTm-uVOadDW9UANShPDHVU9FdnGRaFW7D8q16dXJmmH5Sb6E=w361-h203" width="361" /><br /><br /></span></div><span style="font-family: helvetica;"><div style="text-align: justify;">Il 26 febbraio 2022, a Crema (CR), presso il <b><a href="http://www.museocrema.it/#s=pano37" target="_blank">Museo Civico di Crema e del Cremasco</a></b>, si è svolta la conferenza per l'inaugurazione della <b>nuova Sezione Egizia del Museo</b>.</div><div style="text-align: justify;"><br /></div></span><div style="text-align: justify;"><span style="font-family: helvetica;">Inserito nella splendida cornice del convento quattrocentesco di Sant'Agostino, il Museo Civico di Crema e del Cremasco ospita infatti, a partire da questa data, una Sezione Egizia del tutto rinnovata.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Nata nel 2019, il suo nucleo principale è costituito dai reperti della collezione privata di <b>Carla Maria Burri </b>(1935-2009), egittologa e papirologa cremasca allieva del Prof. Sergio Donadoni, che ha donato la propria raccolta archeologica e libraria al Museo, nel desiderio di creare una sezione dedicata all'arte egizia e greco-romana.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Nel 2020, grazie all'ulteriore donazione dei coniugi <b>Camillo Lucchi</b> e <b>Carla Campari</b>, la raccolta del Museo Civico si è arricchita di nuovi pezzi.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><span>Carla Campari, presente alla conferenza, era legata all'egittologa Carla Maria Burri da un profondo legame affettivo: compagne di classe durante la scuola secondaria, proseguirono insieme gli studi universitari e, </span>condividendo la passione per l'antichità, mantennero l'amicizia anche negli anni seguenti. </span></div><div style="text-align: justify;"><span style="font-family: helvetica;">La collezione della famiglia Lucchi-Campari, frutto di acquisti presso antiquari autorizzati e aste indette dal Museo Egizio del Cairo, concorre, assieme a quella della Burri, a formare una raccolta museale che, attualmente, conta nel complesso circa 200 reperti e che copre un arco cronologico che va dal Paleolitico all'epoca copta.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Grazie alla collaborazione della <b>Soprintendenza per i Beni Archeologici della Lombardia</b>, del <b>Museo Civico di Crema e del Cremasco</b> e del <b>Dott. Christian Orsenigo</b> (egittologo e curatore della Sezione Egizia) lo spazio espositivo è stato volutamente riorganizzato seguendo una narrazione temporale ed unendo le due collezioni Burri e Lucchi-Campari in un percorso museale uniforme, strutturato in vetrine che accolgono gli oggetti in base ad una precisa classificazione.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">L'esposizione è introdotta da una prima vetrina è dedicata ai reperti più antichi, fra i quali:</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">- diversi manufatti litici (bifacciali, coltelli, punte di freccia) appartenenti al Paleolitico e al Neolitico (<b>Fig. 1</b>);</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhbxBBMH6a2XoSVPjIWzFGnuC5xRCAD7l3f_ifW6blsVQtM3qcbIrv3jHYzcmUHeoJwNMF8J0HneUzRMastGBYx2h4sUncw-z1RP_cypKKmPn9iAfhhqS0omB5p5M1unQqQjsU3LOqMzOHEwS8ym81Jf1ojDAgLJXk0WW0J8cHUymOVNsWuW8tJgzMV=s3241" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="1127" data-original-width="3241" height="139" src="https://blogger.googleusercontent.com/img/a/AVvXsEhbxBBMH6a2XoSVPjIWzFGnuC5xRCAD7l3f_ifW6blsVQtM3qcbIrv3jHYzcmUHeoJwNMF8J0HneUzRMastGBYx2h4sUncw-z1RP_cypKKmPn9iAfhhqS0omB5p5M1unQqQjsU3LOqMzOHEwS8ym81Jf1ojDAgLJXk0WW0J8cHUymOVNsWuW8tJgzMV=w400-h139" width="400" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica;"><span style="font-size: x-small;"><b>Fig. 1<br /></b>Manufatti litici</span><br /></span></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">- una piastrella in faience ritenuta parte della decorazione della piramide di <i>Djoser</i> (Antico Regno) - <b>Fig. 2</b>;</span></div><div><span style="font-family: helvetica;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="3381" data-original-width="2959" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhdVzhkqXAIuGnNWec0X6XzaSsfK52Dk4SVvBwrmKXjkR-ZsBkxF51Uzfem2hqebtQRtppE412tf26G9EoqU9y3JDaIzqPO8e4wwyzZfcLZeXVOfI3MrKjPM15yAPNK1xVMPuyaARX462QFmcm6a-w6Ria6avCQeMvByx6Yq6MEGei8uCRGvEwC_fos=w350-h400" style="margin-left: auto; margin-right: auto;" width="350" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 2<br /></b>Piastrella in faience (5,5 x 4 x 1 cm)<br />dalla piramide di Djoser<br />(III Dinastia, Antico Regno)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div style="text-align: justify;"><span style="font-family: helvetica;">- due statuine in legno (una donna e un uomo - <b>Fig. 3</b>) datate al Primo Periodo Intermedio o al </span><span style="font-family: helvetica;">Medio Regno</span><span style="font-family: helvetica;">, che probabilmente facevano parte - come modellini - di composizioni più ampie raffiguranti scene di vita quotidiana ed artigianale;</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIN0D7UNjj72MWb1DEJ06sD2pKCWDuZ-E1HHH60JO-5b-4gWcRhWinwPhIClzexlBhmTJ-qng0pJnBlY31wLP6swJ9QyHweIn2yR7rL_RolEiFioY_JKckVjnvgDw8gzhY9RQZj49O_eeu54e_ihSrSVXyRqrc_TPlxPrEVQMD4TduCPbUgT0J27w4Tw/s2462/IMG_8396.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="1857" data-original-width="2462" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIN0D7UNjj72MWb1DEJ06sD2pKCWDuZ-E1HHH60JO-5b-4gWcRhWinwPhIClzexlBhmTJ-qng0pJnBlY31wLP6swJ9QyHweIn2yR7rL_RolEiFioY_JKckVjnvgDw8gzhY9RQZj49O_eeu54e_ihSrSVXyRqrc_TPlxPrEVQMD4TduCPbUgT0J27w4Tw/s320/IMG_8396.jpeg" width="320" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 3</b><br />Statuette lignee raffiguranti<br />una donna (sx) e un uomo (a dx)<br />(Primo Periodo Intermedio o Medio Regno)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">- una tavola d'offerta in terracotta (del Medio Regno), che rappresenta un'abitazione con cortile, contenente la riproduzione di diversi tipi di cibo (<b>Fig. 4</b>). </span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div></div><div class="separator" style="clear: both; text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="2097" data-original-width="3243" height="258" src="https://blogger.googleusercontent.com/img/a/AVvXsEiIWRYxCFVYNXPT2ip6sXycYifItQ6QIF_pLBFfIPtnddCtWlOv5sGgnbItqukmdYV6ehbJqV5ZxTpXgLPzm2_KebcwQAOFvNK7zXWd5ZzqgOs_GjB59VjEkwHVrJHdU3Aw-rKUDliIBkW2TKABE-bWZHuu9cP5T5dUPZBR40XLK9k0fXrMIjTA-47V=w400-h258" style="margin-left: auto; margin-right: auto;" width="400" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 4<br /></b>Tavola d'offerta in terracotta<br />(Medio Regno)</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;">Seguono alcune vetrine destinate ad accogliere reperti appartenenti alla sfera funeraria:</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;">- cinque maschere di sarcofagi lignei di Epoca Tarda ben conservate (<b>Fig. 5</b>);</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="font-family: helvetica;">- sette esemplari di <i>ushabti</i> in terracotta (uno dei quali recante un'iscrizione dipinta), legno e calcare datati al Nuovo Regno (<b>Fig. 5</b>);</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="font-family: helvetica;"><br /></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="font-family: helvetica;">- diversi amuleti di varia tipologia (<b>Fig. 6, 7, 8, 9, 10</b>);</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="font-family: helvetica;"><br /></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><span style="font-family: helvetica;">- frammenti di </span><i>cartonnage </i>che hanno conservato i dettagli cromatici (<b>Fig</b>. <b>11 e 12)</b></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><b>- </b>due maschere di sarcofago di grande raffinatezza stilistica (<b>Fig. 13</b>).</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaFTmoe8xy2HgBY8IgjSJZTgQNjiIiaSlgdYUlj0B3RsepgTOEfWMFbJ66TMy6XuEBVRzmeIA_OtE5l15BOr8uVpTMv0XMFNgym-jTNoLh_9g5vzM5CbuYhpWGNhTmnDbYiad2l7kuxvgAEaKa9R-EYlmFVU_BZPtbhcR0w2s-c3L0c5qjJgcBuv455g/s3070/IMG_8403.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="3070" data-original-width="2010" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaFTmoe8xy2HgBY8IgjSJZTgQNjiIiaSlgdYUlj0B3RsepgTOEfWMFbJ66TMy6XuEBVRzmeIA_OtE5l15BOr8uVpTMv0XMFNgym-jTNoLh_9g5vzM5CbuYhpWGNhTmnDbYiad2l7kuxvgAEaKa9R-EYlmFVU_BZPtbhcR0w2s-c3L0c5qjJgcBuv455g/w421-h640/IMG_8403.jpeg" width="421" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 5</b><br />In alto: maschere di sarcofago in legno <br />(Nuovo Regno ed Epoca Tarda)<br />In basso: ushabti in terracotta, legno e calcare, di cui uno con iscrizione<br />(Nuovo Regno)</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"><br /></span></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="1059" data-original-width="978" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf0_cjIf_OShKoRhnOMC5yXjTU8H2UcYw7UmKctip2bROlLzRcMmeOFvIdCqViUv_-TjpTf3-GpAwO8GoqJvn3ZP6nYP87kzDPZOXYiRVibQIUOTClOx0cfMQS_cxoY9jIPpmi_LShuZLHK196nsaYWaK1GECZRhnsnLlVgHAgVVgn3DZuEfdP2HTOtg/w185-h200/IMG_8415.jpeg" style="margin-left: auto; margin-right: auto;" width="185" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 6</b><br />Amuleto in osso a forma di pettine<br />(Epoca bizantina)<br /></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiD8MNjVxKyqRZp3JjOHMNrWNAIjaiKhsTwNR3mfjRk2lmubpYD2X5BxN_EmOjr-Icj2zgw6p-qTNeMxddtIzh0t7DaAkFPlxqugqiDbY0c1f2ncme4tQ0jDBUi_z02aNygik1EveS8E-fgGX_FQLARjozuDoOhDWPwXwosLydVdvS2KlpokF3JaUDdg/w150-h200/IMG_8416.jpeg" style="margin-left: auto; margin-right: auto;" width="150" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 7</b><br />Collana in faience con amuleto<br />(Epoca greco-romana)</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"> </span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="1253" data-original-width="2861" height="88" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfR5G-cjjXOwK-DJYty6pbFa9GjyFlomkFBRXP4Uz7vHV380JcB3ra2i6VjL5dcEcP_eYlpJyPpI71SNog7M0LJqBetC1xSRYMP0YV0jKscPdANhUATyVJlg3wVMElwMlDi7IKiRTJ8Ku_acb7VTYVzjlSglnXgPfPa9HFKx0wydt4Lv0ogKxtY6DjiQ/w200-h88/IMG_8414.jpeg" style="margin-left: auto; margin-right: auto;" width="200" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 8</b><br />Amuleto in faience (a sx)<br />e statuetta lignea (a dx)<br />a forma di ibis<br />(Epoca tarda)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="2481" data-original-width="2741" height="580" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbvG7P3kfSf-ETTDGog6vkmWSy37WXj8JWcMMfKuQBthzji6P5Z0FxquB726KA6f8W4wnaWHP6dOY3xgGxaYBLFcRCEMXg_zhUgMRH0gHn0eyLRSsYtDsrM-pHHH3Au3wwE3rfUP6rQkehS5fnqL2pkOoK_zX-ht6dqEtiDuASZedDZt96LdZB8rQhAg/w640-h580/IMG_8420.jpeg" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 9</b><br />Amuleti in forme diverse:<br />in alto, da sx: sistro, gatta, dea Iside<br />in basso, da sx: specchio, sfinge, coccodrillo<br />(Epoca tarda)</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: helvetica;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbqWGfNQR_cmTzPqk69qFvyBVzBwfUNMXe_LKzBSykREv09qe-NHkXim0PBeEqiA_DZi0GQHMAvJM1qUgXhkbOS4a63JZWhemYIVeWcBEmZaPZJHb_epbgQ7l9N6vFYCvos2dyd647P8Esg-tAC3GSgWsBseC9SG_X3U8Gurl_y222OIARfOvBDMqihg/s2969/IMG_8431.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2755" data-original-width="2969" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbqWGfNQR_cmTzPqk69qFvyBVzBwfUNMXe_LKzBSykREv09qe-NHkXim0PBeEqiA_DZi0GQHMAvJM1qUgXhkbOS4a63JZWhemYIVeWcBEmZaPZJHb_epbgQ7l9N6vFYCvos2dyd647P8Esg-tAC3GSgWsBseC9SG_X3U8Gurl_y222OIARfOvBDMqihg/w400-h371/IMG_8431.jpeg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><b>Fig. 10</b><br />Amuleti in forma di occhio-udjat.<br />In alto a sx: stampo per amuleto raffigurante l'occhio-<i>udjat</i></span></td></tr></tbody></table><br /></span></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOy4rXVy76vQ-KhnqLpxL2ycGmwQkXxzjYX7mrXHSL21yvOUryV-Shdk6jDqBEoLTuDjwXM2by8iMamUflnp3jr82IN5lYUKxViQRiiQLRhjCtK2Rhd0ppnhhe1M7Tjvz427QqZ5Wm3pVNZWBiq0UhrWd0CL6Tj0LmvAyVmqKd36sGe8pv3UyIqWgyUQ/s2307/IMG_8429.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="2052" data-original-width="2307" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOy4rXVy76vQ-KhnqLpxL2ycGmwQkXxzjYX7mrXHSL21yvOUryV-Shdk6jDqBEoLTuDjwXM2by8iMamUflnp3jr82IN5lYUKxViQRiiQLRhjCtK2Rhd0ppnhhe1M7Tjvz427QqZ5Wm3pVNZWBiq0UhrWd0CL6Tj0LmvAyVmqKd36sGe8pv3UyIqWgyUQ/s320/IMG_8429.jpeg" width="320" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 11</b><br />Frammento di maschera funeraria in cartonnage<br />(Epoca tolemaica o romana)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="2186" data-original-width="1586" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6ZpiTSGvg4VtccKKM2NIourJv0FYG5IAbWM04MK0CXTti7KUuYo0oq0iXdw_u5fWSdjJKIHFGNvTx3HdULZOEOWONBVrv101C8SQBHfYQZV1eCnopzfLR6h1Hwb7Dm-CTdFy9enbiF9mFYsi_Ooy7ydg8Djc9ihIhjUixABSkQhrGiw0Ya06WsXutWA/s320/IMG_8428.jpeg" style="margin-left: auto; margin-right: auto;" width="232" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 12</b><br />Frammento di copertura<br />per piedi di mummia, in cartonnage<br />(Epoca tolemaica o romana)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaL_K8YoAR5K0VBIXKk7kr_ot1S7U1KrlQ2puPHtNfSkoV1CUOacA0KYpQjHtRzyqfxN7nK8URAZklyneEsozuadH3nhSI7mrS1oCCCtv6F9ICOckg1hjlNzPVdTydCSrg5cPAMAbz8DmR7mZoEqsmfr45BQ5_R6Lc6m6lrf8LB8bL0gr7JF__b-gZuA/s2482/IMG_8444.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="1809" data-original-width="2482" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaL_K8YoAR5K0VBIXKk7kr_ot1S7U1KrlQ2puPHtNfSkoV1CUOacA0KYpQjHtRzyqfxN7nK8URAZklyneEsozuadH3nhSI7mrS1oCCCtv6F9ICOckg1hjlNzPVdTydCSrg5cPAMAbz8DmR7mZoEqsmfr45BQ5_R6Lc6m6lrf8LB8bL0gr7JF__b-gZuA/w640-h466/IMG_8444.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 13</b><br />Maschere di sarcofago antropomorfo, in legno<br />(XXII Dinastia, Terzo Periodo Intermedio)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><div style="text-align: justify;"><span style="font-family: helvetica;"><span>All'interno della collezione è inoltre presente una raccolta di bronzetti votivi raffiguranti le principali divinità del <i>pantheon</i> egizio, di età compresa fra il 664 e il 332 a.C., uno specchio in bronzo, diverse statuette di terracotta antropomorfe e zoomorfe di età greco-romana (332 a.C. - 395 d.C.) - <b>Fig. 14 </b>- nonché molte lucerne di epoca romana e bizantina (</span><b>Fig. </b><b>15</b><span>).</span></span></div></div><div><span style="font-family: helvetica;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYY9ICs5ouFLPM3RPz9eg45l6xwwQue55EfyRn7pIFjOZN3tOFpvOF3Hl_9VICukHEK6m1WitmgQN_aB140izMEg33XOB2aVcE6tsnM0Rwel9RiMCLCOAC-wPCJfATEiU39XWe94XhkVe3qM4Oe3cgFHoF1prnmfgdJnaUFE3oIOIzo5kNGVB60QyT4w/s3511/IMG_8485.jpeg" style="margin-left: auto; margin-right: auto; text-align: center;"><span style="font-family: helvetica;"><img border="0" data-original-height="2755" data-original-width="3511" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYY9ICs5ouFLPM3RPz9eg45l6xwwQue55EfyRn7pIFjOZN3tOFpvOF3Hl_9VICukHEK6m1WitmgQN_aB140izMEg33XOB2aVcE6tsnM0Rwel9RiMCLCOAC-wPCJfATEiU39XWe94XhkVe3qM4Oe3cgFHoF1prnmfgdJnaUFE3oIOIzo5kNGVB60QyT4w/w640-h502/IMG_8485.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 14</b><br />Vetrina contenente statuette in terracotta e bronzetti</span></td></tr></tbody></table><div><span style="font-family: helvetica;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYtcmKttcGpX6Qz7joetFC_tjkCCn5-V-D43EOPVuSyAYigoX5W25tOSvo5FF-sK1OyiQqzKsLmSzp0qy-6pNri_RSoMPr1tOQjZcdgm9GM79yXbo_5YY4UqycHWP4pEiwkjnKNPJnJD6F794JRcbWD53g2lxJ8ppd6YKqQl9_rDK5sFH8bPmVjL0rw/s3205/IMG_8461.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="2145" data-original-width="3205" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYtcmKttcGpX6Qz7joetFC_tjkCCn5-V-D43EOPVuSyAYigoX5W25tOSvo5FF-sK1OyiQqzKsLmSzp0qy-6pNri_RSoMPr1tOQjZcdgm9GM79yXbo_5YY4UqycHWP4pEiwkjnKNPJnJD6F794JRcbWD53g2lxJ8ppd6YKqQl9_rDK5sFH8bPmVjL0rw/w640-h428/IMG_8461.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 15</b><br />Lucerne in terracotta<br />(Età romana e bizantina)</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><br /></span></div></div><div style="text-align: justify;"><span style="font-family: helvetica;">Le vetrine finali sono dedicate a raccogliere pezzi di datazione più recente, come le due "ampolle di San Mena", di epoca copta (313 - 641 d.C.), che i pellegrini diretti al santuario del santo (primo martire cristiano d'Egitto) riempivano di acqua o olio, e una serie di bottiglie, ollette e balsamari in vetro, che coprono un arco temporale che va dalla prima Epoca imperiale romana alla prima Epoca islamica (VII - X sec. d.C.) - <b>Fig. 16</b>.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3P-fbSKOX6mktWShAQqDQfpMGKO2n85EAbGabr3qD1QuH2miYhbwRahTBDaVSGp8SS41K_uTYf_fYBNm6aFVA91kfCQiZeYnf5MmJ43Yab-cyUKYDTCZj9zkakkJG2o1S50qZrGXItBdIotdbwPB8xAZDjloG50G-KSRwm2VWtaPlctX_E1r7anHkDA/s3338/IMG_8465.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="1155" data-original-width="3338" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3P-fbSKOX6mktWShAQqDQfpMGKO2n85EAbGabr3qD1QuH2miYhbwRahTBDaVSGp8SS41K_uTYf_fYBNm6aFVA91kfCQiZeYnf5MmJ43Yab-cyUKYDTCZj9zkakkJG2o1S50qZrGXItBdIotdbwPB8xAZDjloG50G-KSRwm2VWtaPlctX_E1r7anHkDA/w640-h222/IMG_8465.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 16</b><br />a sx: contenitori in vetro (balsamari, ollette, bottigliette)<br />al centro: statuetta di orante in terracotta (Epoca copta)<br />a dx: ampolle di San Mena in terracotta (IV-VI sec. d.C.)</span></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><span>E' presente anche un papiro in arabo (</span><b>Fig. 17) </b><span>ed un frammento di tessuto in cotone con ricamo in lana, del Periodo Mamelucco (1250 - 1517 d.C.).</span></span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IiJnAjlLooahxa8EOH3ixdWmG9WW3MXz-Qp-f8ZD1e_sVs7isBO88hrSiun0bC68lSibLkVE9ube3B-PYz3LHzIJjnJIFokkfJVMwS5cBhTVijoxagJikmyS9i_LY8bNhDVBvt8goKj3_Dtvi_bT0dg0shgc1pIkJOq3EmdIhD1_X6ttA14Q_7YSgg/s3311/IMG_8467.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="2267" data-original-width="3311" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6IiJnAjlLooahxa8EOH3ixdWmG9WW3MXz-Qp-f8ZD1e_sVs7isBO88hrSiun0bC68lSibLkVE9ube3B-PYz3LHzIJjnJIFokkfJVMwS5cBhTVijoxagJikmyS9i_LY8bNhDVBvt8goKj3_Dtvi_bT0dg0shgc1pIkJOq3EmdIhD1_X6ttA14Q_7YSgg/w640-h438/IMG_8467.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 17</b><br />Papiro arabo<br />(Prima epoca islamica)</span></td></tr></tbody></table><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Il percorso all'interno della Sezione Egizia termina con tre interessanti reperti provenienti dall'antica civiltà di <b>Elam</b>, in Iran sud-occidentale: si tratta di tre mattoni in terracotta, rinvenuti nel sito di <i>Chogha Zanbil </i>(a 35 km dall'antica Susa) - <b>Fig. 18, 19, 20.</b></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Qui, all'interno del complesso cerimoniale, si è conservata la struttura di una <i>ziqqurat</i>, eretta nel XIV sec. a.C. a scopo di culto; i tre mattoni provengono da questo edificio e su di essi è presente un'iscrizione in lingua elamica che narra della costruzione della <i>ziqqurat</i> (<i>sikratu-me</i> in elamico):</span></div><div><span style="font-family: helvetica;"><br /></span></div><div style="text-align: center;"><span style="font-family: helvetica;">"Io Untash-Napirisha, il figlio di Humpan-umena, il re di Anshan e Susa. Affinchè (io) possa prolungare la mia vita (e) la mia prospera dinastia, (e) non veda la fine ... della mia prole, il <i>sian</i> in mattoni cotti (e) il <i>kukunum</i> in (mattoni) <i>upkum</i> ho costruito. Al dio Inshushinak del Sian-kuk li ho offerti. Io ho innalzato la ziqqurat. Ciò che mi sono sforzato di realizzare possa essere gradito in mio favore al dio Inshushinak."</span></div><div style="text-align: center;"><i><span style="font-family: helvetica;">(Trad. di Gian Pietro Basello - Università degli Studi di Napoli L'Orientale)</span></i></div><div><span style="font-family: helvetica;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_CVQJTTllSi8svVZ6iFsZiFbw-xbWgf__d5R8rChCqFEBGTMjcPbXFeDs-j7I5isb9QYpG5c0b4XZ8WPM1ffskW7qnp2mx2z8VVebmDQflNtNEP3FDlR5Rx5BcKqF1oyiRhwy4IBvb1yyWrq9V8c7Id6eSBFhnefT1wppfFPRT2A3zyDMlyDTVlmdA/s3388/IMG_8473.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="1801" data-original-width="3388" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-_CVQJTTllSi8svVZ6iFsZiFbw-xbWgf__d5R8rChCqFEBGTMjcPbXFeDs-j7I5isb9QYpG5c0b4XZ8WPM1ffskW7qnp2mx2z8VVebmDQflNtNEP3FDlR5Rx5BcKqF1oyiRhwy4IBvb1yyWrq9V8c7Id6eSBFhnefT1wppfFPRT2A3zyDMlyDTVlmdA/w640-h340/IMG_8473.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 18</b><br />Frammento di mattone in terracotta.<br />Regno di Untash-Napirisha (XIV sec. a.C.)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgFuNxsI3dWidiev0qnhfUny7T1k7rUGSFpgwNDaQIlfBIhRTvauII_TCuxqcJ46Q-HtUDIKHHERevd_92hYYVRIrLT1s0bO49ykFrxN8o15WmWt1z4MIdw_203Hf5t6sqAhWIIjlcL1yCrbAJeavx0vrhSDAYLLbDfJ9nOflh10ghf9yiWn80wb-4JA/s3513/IMG_8474.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="1012" data-original-width="3513" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgFuNxsI3dWidiev0qnhfUny7T1k7rUGSFpgwNDaQIlfBIhRTvauII_TCuxqcJ46Q-HtUDIKHHERevd_92hYYVRIrLT1s0bO49ykFrxN8o15WmWt1z4MIdw_203Hf5t6sqAhWIIjlcL1yCrbAJeavx0vrhSDAYLLbDfJ9nOflh10ghf9yiWn80wb-4JA/w640-h184/IMG_8474.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 19</b><br />Mattone in terracotta<br />Regno di Untash-Napirisha (XIV sec. a.C.)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT1DSaoKiSHChMp17txKJtBonDwocrUPU9Y2GuKk-IHPCZZHE4dO26TdFWYr3seHygyS4vJgKMW3PTrkCo15wLQkmY7INXkuvDb6Bz5dtOZ8oBZHVPlSldY3O4erFGc3JkrsUb7SXgJUnhRv3xQQPtd4EW2Q3HzSLHwYEIbqdfDFHKRzVrPSiLCA308g/s3234/IMG_8476.jpeg" style="margin-left: auto; margin-right: auto;"><span style="font-family: helvetica;"><img border="0" data-original-height="2014" data-original-width="3234" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT1DSaoKiSHChMp17txKJtBonDwocrUPU9Y2GuKk-IHPCZZHE4dO26TdFWYr3seHygyS4vJgKMW3PTrkCo15wLQkmY7INXkuvDb6Bz5dtOZ8oBZHVPlSldY3O4erFGc3JkrsUb7SXgJUnhRv3xQQPtd4EW2Q3HzSLHwYEIbqdfDFHKRzVrPSiLCA308g/w640-h398/IMG_8476.jpeg" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: helvetica; font-size: x-small;"><b>Fig. 20</b><br />Frammento di mattone in terracotta.<br />Regno di Untash-Napirisha (XIV sec. a.C.)</span></td></tr></tbody></table><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><span style="font-family: helvetica;">Mentre i reperti conservati nella Sezione Egizia del Museo Civico di Crema e del Cremasco continueranno ad essere oggetto di studi ed approfondimenti, </span><span style="font-family: helvetica;">un'ulteriore crescita della raccolta </span><span style="font-family: helvetica;">è già in programma </span><span style="font-family: helvetica;">per i mesi futuri: </span><span style="font-family: helvetica;">grazie alle donazioni di <b>Giampiero Guerreschi</b> (1916-2006) e <b>Mariacarla Pozzi </b>(1924-2021), la collezione potrà infatti arricchirsi di nuovi preziosi oggetti, creando così nuove opportunità di ricerca e valorizzando ancor più questa interessante sezione del Museo.</span></div><div><p></p></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Piazzetta W. T. Gregorj, 5, 26013 Crema CR, Italia45.3619175 9.69080239999999917.051683663821152 -25.4654476 73.672151336178842 44.847052399999995tag:blogger.com,1999:blog-7432882950208159318.post-1198165887891712782022-02-13T15:00:00.061-08:002022-02-13T15:00:00.218-08:00Cantare l'amore nell'antico Egitto<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1664" data-original-width="2500" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEi-JUONka2VTk7xPGR14mvj1PrsttNDoySgYTrVaD3Abh4jx8aD-ZIPZkCnIpeSJVWenyfhYt40_3NKxF5XrgcFMi_rFnNgnRqkMScUe67wbYGwu9qBf5mbZYErEvVqiGhsZvkvSh4WinsvsM1X4z5_HaFT36axUNtMkYtskr25g3ksWiWvVpTFHrZ_=w640-h426" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><b>Fig. 1<br /></b>Papiro Harris 500, <i>recto</i>, Plate 11</td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1664" data-original-width="2500" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEj5UxZ3JyJ-x767bQJ9YDlPRjWbXAcPDCv4aUkckd03fhey1DfuMNAOCCMyNpUwrDYGB2LiaPP3dFp55djlT238MlmSIpT6v8lxjfn_UrIt7Hx9luze21nal08DTFIgq0Npc0JdHLYbHuRBK3ZVrZ7CL9IGrOSMRgwmKJCowlJZqMU4mRdhiRZMBTxl=w640-h426" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><b>Fig. 2<br /></b>Papiro Harris 500, <i>recto</i>, Plate 12</td></tr></tbody></table><div><p style="font-size: 20px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><b><span style="font-family: arial;"><br /></span></b></p><p style="font-size: 20px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><b><span style="font-family: arial;">Papiro Harris 500</span></b></p><p style="font-size: 20px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><b><span style="font-family: arial;">Canto d'amore Stanza n° 4</span></b></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="font-family: arial;">(Raccolta II - r° 4 Pl. 11, riga 11 - r° 5 Pl. 12, righe 1-3)</span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="font-family: arial;"><br /></span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial; font-size: x-small;">(Voce femminile)</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">Esco [a cercare<span style="font-stretch: normal; line-height: normal;">] il tuo amore</span></span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">perché il mio cuore resti in me</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">Un dolce zuccherino</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">è per me sale,</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">il vino dolce, nella mia bocca,</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">come fiele d’uccelli.</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">L’odore del tuo respiro,</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">solo, fa rivivere il mio cuore.</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">Ho scoperto che Amon</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">ti ha dato a me</span></i></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;">per sempre, eternamente.</span></i></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><i><span style="font-family: arial;"><br /></span></i></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="font-size: xx-small;"><span style="font-family: arial;"><i>Traduzione tratta da: M. Betrò, V. Simini, </i></span><span style="font-family: arial; text-align: justify;">Sono venuta correndo a cercarti. Canzoni e musica nell'antico Egitto, Edizioni ETS, Pisa 2009.</span></span></p><p style="font-size: 15px; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="font-family: arial;"><br /></span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Il <b>Papiro Harris 500</b> (conservato al British Museum - <b>BM 10060</b> - e di provenienza tebana) ha tramandato, fra diversi testi letterari, tre raccolte di <b>canti d’amore</b>, trascritte in ieratico nel XII sec. a.C. (Nuovo Regno).</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Le liriche d'amore sono un genere letterario </span><span style="font-family: arial;">tipico del Nuovo Regno (</span><span style="font-family: arial;">circoscritto all'età ramesside) e </span><span style="font-family: arial;">dotato di una vera e propria configurazione metrica.</span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Si tratta di poesie destinate ad essere cantate o recitate con accompagnamento musicale: pur non essendo giunte a noi attestazioni riguardanti la grafia musicale, lo stesso Papiro Harris 500 chiama questi testi “<i>heset</i>” (<i>Hs.t</i>) termine che significa “<i>canto</i>”.</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">La canzone qui proposta (<b>stanza n° 4</b>) fa parte della seconda raccolta del papiro, intitolata “<i>Inizio dei canti per distrarre il cuore</i>”.</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Il titolo della raccolta è trascritto in colore rosso (<b>Fig. 1</b>, riga 1), per differenziarla dal corpo del testo (in nero).</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Le singole strofe/stanze della poesia sono identificate da un segno di chiusura, anch’esso in rosso (<b>Fig. 2</b>, righe 3, 6, 8 e 12).</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Nelle raccolte i canti sono recitati alternativamente da una voce maschile ed una femminile, come in una sorta di duetto musicale: nella stanza n° 4 sopra proposta è un personaggio femminile che parla, descrivendo il forte sentimento amoroso che prova nei confronti dell’amato.</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">Il diretto riferimento ai sensi del gusto e dell’olfatto, rivela come l’innamoramento venisse percepito in stretta connessione con il corpo, lasciando trapelare il desiderio e l’aspettativa amorosa che crescevano nel cuore di colei che recitava la poesia.</span></p>
<p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;">I canti d’amore, trascritti in un registro di linguaggio elevato e recanti diversi riferimenti ad abitazioni di prestigio, carri e cavalli, non sono espressione di una tradizione popolare ma descrivono una società aristocratica e colta, </span><span style="font-family: arial;">riflettendo inoltre dal punto di vista filologico un'accurata ricerca stilistica.</span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;"><span style="font-size: x-small;">Bibliografia:</span></span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial;"><span style="font-size: x-small;">- M. Betrò, V. Simini, Sono venuta correndo a cercarti. Canzoni e musica nell'antico Egitto, Edizioni ETS, Pisa 2009;</span></span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial; font-size: x-small;">- S. Donadoni, La letteratura egizia, Lindau, Torino 2020;</span></p><p style="font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="font-family: arial; font-size: x-small;">- Immagini: https://www.britishmuseum.org/collection/object/Y_EA10060 </span></p><div><br /></div><div style="text-align: center;"><b>RIPRODUZIONE RISERVATA</b></div><p></p></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-9620479806772174502022-01-07T12:03:00.011-08:002022-01-07T12:46:58.155-08:00I rilievi neo-assiri del Museo Barracco di Roma<p style="text-align: left;"><span style="color: #444444;"><span style="font-family: times;"><span style="text-align: justify;">Il <b><a href="http://www.museobarracco.it/it/museo/giovanni_barracco" target="_blank">Museo di Scultura Antica Giovanni Barracco</a></b> di Roma conserva una ricca collezione di arte mesopotamica che comprende reperti provenienti dagli scavi condotti </span></span><span style="caret-color: rgb(68, 68, 68); font-family: times; text-align: justify;">durante il 1800 </span><span style="font-family: times; text-align: justify;">da missioni archeologiche inglesi e francesi</span><span style="font-family: times; text-align: justify;">. </span></span></p><p style="text-align: left;"><span style="text-align: justify;"><span style="color: #444444; font-family: times;">Gli <span style="caret-color: rgb(68, 68, 68);">oggetti</span> e le opere vennero acquistati sul mercato antiquario da <b>Giovanni Barracco</b> che, nutrendo una forte passione per le antichità, li collezionò esponendoli nel proprio appartamento in Via del Corso a Roma (da li vennero poi trasferiti nel palazzo che oggi ospita il Museo, </span></span><span style="caret-color: rgb(68, 68, 68); color: #444444; font-family: times; text-align: justify;">in corso Vittorio Emanuele n. 168</span><span style="color: #444444; font-family: times; text-align: justify;">).</span></p><p style="text-align: left;"><span style="color: #444444; font-family: times;"><span style="text-align: justify;">La raccolta è costituita prevalentemente da una serie di <b>frammenti di rilievi assiri</b>, provenienti dal Palazzo Nord-Ovest di <i>Kalkhu</i> (oggi </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Nimrud</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">), </span><span style="text-align: justify;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">dal Palazzo di <i>Sargon II </i>a </span></span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"><i>Dur</i></span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> Sharrukin (</i><span style="text-align: justify;"><i style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">Khorsabad</i><i style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">) </i><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">e </span></span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">dal Palazzo Nord di </span><span style="text-align: justify;"><i>Ninive</i> (la cittadella di </span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"><i>Quyunjik</i>) e </span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">datati ai regni di </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Assurnasirpal II</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> (883-859 a.C.), </span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"><i>Sennacherib</i> (704-681 a.C.) e </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Assurbanipal</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> (668-627 a.C.).</span></span></p><p style="text-align: left;"><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">La scelta delle opere non era stata casuale.</span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;"> </span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">Giovanni Barracco sosteneva infatti che:</span></p><p style="text-align: center;"><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">"</span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">basta un certo numero di frammenti ben scelti...per comporre una succinta storia della scultura antica [...] la loro ricomposizione richiede un lavoro mentale...carissimo alle persone di fantasia mobile e coltivata</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">."</span></span></p><p style="text-align: left;"><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">Secondo Barracco il "frammento" stimolava la curiosità di chi lo osservava, spingendolo ad adoperarsi per ricostruirne il contesto storico e narrativo.</span></p><p style="text-align: left;"><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">Anche l'orizzonte temporale entro il quale datano i rilievi (</span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">IX e il VII sec. a.C.) </span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">era stato selezionato intenzionalmente, essendo volontà del collezionista di rappresentare due periodi specifici dell'arte assira:</span></p><p style="text-align: center;"><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">"[...] <i>quello di Assur-nazir-habal e quello dei Sargonidi [...]</i>". </span></p><p style="text-align: left;"><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;"><i>Assurnasirpal II</i>, <i>Sennacherib</i> e <i>Assurbanipal, </i>ai cui regni sono attribuibili i frammenti</span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">,</span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;"> governarono durante l'età neo-assira, l'epoca di maggior fioritura dell'impero.</span></p><p style="text-align: left;"><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">I rilievi erano stati realizzati allo scopo di decorare le pareti dei palazzi reali di questi sovrani: </span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"><i>Assurnasirpal II</i> lo costruì a <i>Kalkhu</i>, che fu anche capitale monumentale dell'impero neo-assiro, mentre </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Sennacherib</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> e </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Assurbanipal</i><span style="text-align: justify;"><span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"> (quest'ultimo denominato "Sardanapalo" nei testi biblici) la trasferirono a <i>Ninive</i>, edificando qui la propria residenza reale</span></span></span><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> (rispettivamente il </span><b style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Palazzo Sud-Ovest</b><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> detto anche "Palazzo senza rivali" e il </span><b style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Palazzo Nord</b><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">).</span></span></p><p style="text-align: left;"><span style="color: #444444; font-family: times; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">I sovrani neo-assiri erano infatti re-costruttori: si impegnavano in imprese edilizie di grande respiro, edificando templi e palazzi o dedicandosi ad opere di restauro di quelli già esistenti.</span></span></p><p style="text-align: left;"><span style="color: #444444; font-family: times; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">I rilievi avevano lo scopo di narrare le imprese del sovrano e, per loro tramite, egli dava testimonianza della sua potenza e dei suoi successi, trasformando così il programma figurativo della propria residenza in un potente strumento di comunicazione.</span></span></p><p style="text-align: left;"><span style="color: #444444; font-family: times; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">I rilievi in calcare </span></span><span style="color: #444444; font-family: times; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">seguivano due </span></span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">tematiche principali: le <u>campagne militari</u> e le <u>scene di caccia.</u></span></p><p style="text-align: left;"><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">I frammenti provenienti da </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Ninive</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> e da </span><i style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;">Khorsabad</i><span style="caret-color: rgb(5, 5, 5); text-align: justify; white-space: pre-wrap;"> (<b>Fig. da 1 a 10</b>) raffigurano arcieri, soldati, cavalli, fuggitivi, deportati e il trasporto di una preda di caccia.</span></span></p><div dir="auto" style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEitFjUwUkKEN1ysIVQ0yJRwX05pumkIeFCmhAEljRGNaAadCeLakxv9EniSl57SCU6T4pk1Gmxpj2UEBYEN5YFQxqkyVgAP8MbNu0flp3_OgqIiuauvVDYlcA4G5zZAY1gwmRfi0vDQpztfPHkzZQsvIEifs26N2xZ6br2-KuNGDj8FSloQfwmf5CWn=s1800" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEitFjUwUkKEN1ysIVQ0yJRwX05pumkIeFCmhAEljRGNaAadCeLakxv9EniSl57SCU6T4pk1Gmxpj2UEBYEN5YFQxqkyVgAP8MbNu0flp3_OgqIiuauvVDYlcA4G5zZAY1gwmRfi0vDQpztfPHkzZQsvIEifs26N2xZ6br2-KuNGDj8FSloQfwmf5CWn=w512-h640" width="512" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><b><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">Fig. 1
Rilievo con </span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">arcieri </span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">che scoccano frecce dai loro archi.
</span></b><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;">Calcare con tracce di pittura,
</span><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; text-align: justify; white-space: pre-wrap;"><span style="caret-color: rgb(0, 0, 0); text-align: center; white-space: normal;">Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),</span><br style="caret-color: rgb(0, 0, 0); text-align: center; white-space: normal;" /><span style="caret-color: rgb(0, 0, 0); text-align: center; white-space: normal;">dal Palazzo Nord di <i>Ninive</i></span>
</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgxTyYddIAXUrWgAm-jdPbcxfBFQ9SgA1QltuSC0R-q_uM1hrpjdutqgVzBG8u_1j2fuEWWkm1VKT9bj1q63O8cV6QqGdiHjpW9a8ofg3QNt0sCvhj4RLCH6GXF-csRGEq8Y5k0GYnfMgqvDxruNTH7H5rY9mhxqnlnswbJ1Wukpa8CcgGBWHQjS0m0=s4550" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="4550" data-original-width="3308" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgxTyYddIAXUrWgAm-jdPbcxfBFQ9SgA1QltuSC0R-q_uM1hrpjdutqgVzBG8u_1j2fuEWWkm1VKT9bj1q63O8cV6QqGdiHjpW9a8ofg3QNt0sCvhj4RLCH6GXF-csRGEq8Y5k0GYnfMgqvDxruNTH7H5rY9mhxqnlnswbJ1Wukpa8CcgGBWHQjS0m0=w466-h640" width="466" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 2<br />Rilievo con arcieri elamiti in alta uniforme.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i>.<br /><br /></span></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiB1zNgqIGRo7hBbJ9EGGdkgWGZCTTk6CPkDm0BXuO5dCpZzo4JlXWJ89xjCaWk4n-LwccWopQT1CC6XQ9Y3PX_MJQ4FDX63MpC1EEQ2k_x_PWv47-sJ0F0V61ZO6UzdvK-44sXym3vsZVU5AxcZT1-A_c8UPK_vbNKaEF7t9A52GyT9Gx0IjQeT99S=s4256" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="4256" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiB1zNgqIGRo7hBbJ9EGGdkgWGZCTTk6CPkDm0BXuO5dCpZzo4JlXWJ89xjCaWk4n-LwccWopQT1CC6XQ9Y3PX_MJQ4FDX63MpC1EEQ2k_x_PWv47-sJ0F0V61ZO6UzdvK-44sXym3vsZVU5AxcZT1-A_c8UPK_vbNKaEF7t9A52GyT9Gx0IjQeT99S=s320" width="227" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 3<br />Rilievo con soldati e cavalli.<br /></b>Calcare con tracce di pittura,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i></span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhmvvoilqy8DAxGWzNcvz1n8MaQ311UEfv1AvC64ODczdIjNcCMMIG2aXHeu0Xjk7HymeBRRKAfKspsnYs4g91ZUuL6_umJMlp6VxySWqb7no-WPjDllaMoWHHelA4zxei7VDjKbTm31FfcOCEi-TP1ZTAAixAxr3GCEIn5qxS7sZrGU9KxTaIkPPlG=s4350" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="2693" data-original-width="4350" height="198" src="https://blogger.googleusercontent.com/img/a/AVvXsEhmvvoilqy8DAxGWzNcvz1n8MaQ311UEfv1AvC64ODczdIjNcCMMIG2aXHeu0Xjk7HymeBRRKAfKspsnYs4g91ZUuL6_umJMlp6VxySWqb7no-WPjDllaMoWHHelA4zxei7VDjKbTm31FfcOCEi-TP1ZTAAixAxr3GCEIn5qxS7sZrGU9KxTaIkPPlG=s320" width="320" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 4<br />Rilievo con fuggitivi babilonesi in un canneto.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord o Sud-Ovest di <i>Ninive</i>.</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEilDdXmACGdIixEtWaw2__74QhUNTXDCeHVm6g_ZsjO7LYksAL2R5vnMFHvMgjrRPtMBo351bSY9Uxu4Byj26VLY_-yBZSmLqbuzjgI3125SAb3FA1Sn5hzC4XGE5IEXh0CG93DO6i3VWQ5KqmmmYUErheDq7PFhxQqNjNqmtQx6KuXMPxoeEX2ddeL=s3467" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3467" data-original-width="3351" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEilDdXmACGdIixEtWaw2__74QhUNTXDCeHVm6g_ZsjO7LYksAL2R5vnMFHvMgjrRPtMBo351bSY9Uxu4Byj26VLY_-yBZSmLqbuzjgI3125SAb3FA1Sn5hzC4XGE5IEXh0CG93DO6i3VWQ5KqmmmYUErheDq7PFhxQqNjNqmtQx6KuXMPxoeEX2ddeL=s320" width="309" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 5<br />Rilievo con la preda della caccia.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i>.</span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><br /><img border="0" data-original-height="3125" data-original-width="3590" height="279" src="https://blogger.googleusercontent.com/img/a/AVvXsEjtyqxgTiNhtJDgUm7VopfzhsDkIAglE5gJcNcPxHqR9_kbPENjGZUZOhsMycQ0grJz1CTMwgzg2gKjtiMF-SPXB-zrGwuA_zIe-jdGAUI-aDc5U8cSybqiHdgbOpJjX8NI4gSnQuKrNLUwyFYQSqzplvOYCXlRzQJeevvMJgWqIx6uzv6z4eImaujt=s320" width="320" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 6<br />Rilievo con donne deportate.<br /></b>Calcare alabastrino,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i>.</span></td></tr></tbody></table></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjqjpeeDMEC4YME1hP9-nPNhBv7O_uYdf935OKETttoDE4pP3OFX32TuY-5X2ABJsAD78IXAectoM89PuasW8ERT-BMDJsf4vGV4WSRphDTcMcWPEoXOesdWaDwyv-w891-XGsn3dRbva2ATCqBO0AOr1qQx1l5_6-l-tDrGwsS9HkWWXS1-fDsCRAl=s3503" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3503" data-original-width="2856" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjqjpeeDMEC4YME1hP9-nPNhBv7O_uYdf935OKETttoDE4pP3OFX32TuY-5X2ABJsAD78IXAectoM89PuasW8ERT-BMDJsf4vGV4WSRphDTcMcWPEoXOesdWaDwyv-w891-XGsn3dRbva2ATCqBO0AOr1qQx1l5_6-l-tDrGwsS9HkWWXS1-fDsCRAl=s320" width="261" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 7<br />Rilievo con donna deportata.<br /></b>Calcare alabastrino,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i>.<br /></span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgnQYNa_wp2zzm9tEdg9tTj-YE1W70t7knqGxkOgfqc8DE8PeIzXD9ViJIcWlweVZdrydZOzmYqkxLMe4P0I0oKxLEx8CZhpFhB5D_Ke1h5f2_6iS81x_YxnDFBoS2A1eDqwRA1Ux9wRkcWHIE6oW7beNxEU5kzgvuVTRV0lKTKL2P3DrEW4wWScGjM=s2980" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="2980" data-original-width="2770" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgnQYNa_wp2zzm9tEdg9tTj-YE1W70t7knqGxkOgfqc8DE8PeIzXD9ViJIcWlweVZdrydZOzmYqkxLMe4P0I0oKxLEx8CZhpFhB5D_Ke1h5f2_6iS81x_YxnDFBoS2A1eDqwRA1Ux9wRkcWHIE6oW7beNxEU5kzgvuVTRV0lKTKL2P3DrEW4wWScGjM=s320" width="297" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 8<br />Rilievo con guerrieri elamiti.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Assurbanipal</i> (668-627 a.C.),<br />dal Palazzo Nord di <i>Ninive</i>.</span></td></tr></tbody></table><div><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjzwmyKZ8cir_AVY2LO1r47fP5By5pZKjBk3QJ1erE8i0iIzhMCGqg5r26LVIeN8jhPBnNh8hsaVzNQ2NVjeqm7n9nlJah8JXRp4Lf90yoDhUiLMitENq-PqRNSaT3M8p7DMgSlufAOLSzwRzVJcQ0AvIsoTXO6z7ePRrRxXVXH9qQ-2OlaL8TBWAT5=s3587" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3587" data-original-width="2977" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjzwmyKZ8cir_AVY2LO1r47fP5By5pZKjBk3QJ1erE8i0iIzhMCGqg5r26LVIeN8jhPBnNh8hsaVzNQ2NVjeqm7n9nlJah8JXRp4Lf90yoDhUiLMitENq-PqRNSaT3M8p7DMgSlufAOLSzwRzVJcQ0AvIsoTXO6z7ePRrRxXVXH9qQ-2OlaL8TBWAT5=s320" width="266" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 9<br />Rilievo con cavalieri e soldati armati di fionda in azione bellica.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Sennacherib</i> (704-681 a.C.),<br />dal Palazzo Sud-Ovest di <i>Ninive</i>, Stanza 68.</span></td></tr></tbody></table><div><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgVYaZx-Xts29e2CrW86FgmcI4EZjYrqAIktyGr0_B8XB3r0wmdl7eljELtgtUVXzAoQputfrkxxIDjD44w86uoN9UWDmnPhq7roItWvhAbx6jHDBmvnSYYo0nliRpohxpnWQqb3VXkKmlHzZwo2HVvq0uesCyBMmC599VUHtBpDW8WHv_CKvAR-A_o=s3816" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3816" data-original-width="3248" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgVYaZx-Xts29e2CrW86FgmcI4EZjYrqAIktyGr0_B8XB3r0wmdl7eljELtgtUVXzAoQputfrkxxIDjD44w86uoN9UWDmnPhq7roItWvhAbx6jHDBmvnSYYo0nliRpohxpnWQqb3VXkKmlHzZwo2HVvq0uesCyBMmC599VUHtBpDW8WHv_CKvAR-A_o=s320" width="272" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 10<br />Rilievo con arcieri in marcia.<br /></b>Calcare,<br />Impero neo-assiro, regno di <i>Sennacherib</i> (704-681 a.C.),<br />dal Palazzo di <i>Sargon II</i> a <i>Khorsabad</i> o dal Palazzo Sud-Ovest di <i>Ninive</i>.</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /><div style="text-align: justify;"><span>Uno dei frammenti di rilievo conservati nel Museo (<b>Fig. 11</b>) proveniente dal Palazzo Nord-Ovest di Nimrud e datato al regno di </span><span><i>Assurnasirpal II</i> (883-859 a.C.), raffigura un genio alato inginocchiato.</span></div><div style="text-align: justify;"><span justify="" text-align:=""><span style="color: #444444; font-family: times;"><span 68="" background-color:="" caret-color:="" color:="" font-family:="" rgb="" times="" white="">Accanto alle imprese di guerra e di caccia, i</span><span><span style="color: #444444; font-family: times;">l programma decorativo di questo edificio narrava infatti anche scene mitiche, raffigurando esseri fantastici come questo genio alato, inginocchiato probabilmente a fianco dell'albero sacro, a simboleggiare forse un rituale di purificazione connesso alla battaglia</span></span><span style="color: #444444; font-family: times;">.</span></span></span></div><div><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(68, 68, 68);"><br /></span></span><div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhmpWKollxYQB36a5H839beMubP0udsgx12dmR98VcjYJ3yLeYoMgL2zVez255R-jPMcdmpt7RgzlUKvrn3KaiOYOXX8B08SuHM5ZIGlCVmJv88cDPF00gKHxehg9QB7sONmlyA8mRLP_-kVP8cfCCNCQmdPNGxYWgDXR76hs0YHUZDnFScV6tGf6a8=s3442" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3442" data-original-width="3346" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhmpWKollxYQB36a5H839beMubP0udsgx12dmR98VcjYJ3yLeYoMgL2zVez255R-jPMcdmpt7RgzlUKvrn3KaiOYOXX8B08SuHM5ZIGlCVmJv88cDPF00gKHxehg9QB7sONmlyA8mRLP_-kVP8cfCCNCQmdPNGxYWgDXR76hs0YHUZDnFScV6tGf6a8=s320" width="311" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;"><b>Fig. 11<br />Rilievo con genio alato inginocchiato.<br /></b>Calcare alabastrino,<br />Impero neo-assiro, regno di <i>Assurnasirpal II</i> (883-859 a.C.),<br />dal Palazzo Nord-Ovest di <i>Nimrud</i>, Stanza I.</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span></div></div></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">Le figurazioni all'interno dei palazzi (che fossero narratrici di gesta epiche o di concezioni mitico-simboliche) avevano la funzione di esaltare il sovrano come restauratore e garante dell'ordine universale sulla terra; le sue imprese erano emanazione della volontà divina, le sue azioni erano volte al trionfo dell'ordine sul caos.</span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">Se da un lato i programmi decorativi erano espressione di un desiderio propagandistico, dall'altro con essi si manifestava la credenza che, nel dedicarsi all'arte palatina e templare, si potesse accogliere il favore degli dei.</span></div><div><span style="color: #444444; font-family: times;"><br /></span></div><div style="text-align: center;"><span style="color: #444444; font-family: times;"><b>RIPRODUZIONE RISERVATA</b> - La Via degli Antichi</span></div></span>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Corso Vittorio Emanuele II, 168, 00186 Roma RM, Italia41.896828 12.47257316.897702767561917 -22.683677 66.895953232438075 47.628823tag:blogger.com,1999:blog-7432882950208159318.post-88980861907521514992022-01-05T06:50:00.003-08:002022-01-05T06:52:37.019-08:00La collezione egizia del Museo Nazionale di Ravenna<div><span style="color: #444444; font-family: times;">Il <a href="https://www.musei.emiliaromagna.beniculturali.it/musei/museo-nazionale-di-ravenna" style="font-weight: bold;" target="_blank">Museo Nazionale di Ravenna</a><b> </b>si trova <span>all'interno</span> del <b>Complesso di San Vitale</b> (in Via San Vitale n. 17, dove un tempo sorgeva il monastero benedettino) e, dal 1885, ospita un'importante collezione di reperti archeologici, sculture, oggetti d'arte, costituita in origine dalle raccolte dei monaci delle abbazie di Ravenna (in particolare dei monaci camaldolesi di Classe).</span></div><div><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgMZ_nyT6dnpWCo6Snwtb6G5EnGYjdUOoJViNjgjMn6Gb0aK0AIFo9wOH4cMul0lHreyQG_EpipL5mdrYrN3rN9jteSrKKHrI8DHXTWIXmCwDC1o_kz-1DB0Q-Amcieg_1WLNIErHPRlpTFQN5TE7nw9aDCsK5vsBvIbI4N-gZdUHalLhdjnGKBuESi=s1440" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEgMZ_nyT6dnpWCo6Snwtb6G5EnGYjdUOoJViNjgjMn6Gb0aK0AIFo9wOH4cMul0lHreyQG_EpipL5mdrYrN3rN9jteSrKKHrI8DHXTWIXmCwDC1o_kz-1DB0Q-Amcieg_1WLNIErHPRlpTFQN5TE7nw9aDCsK5vsBvIbI4N-gZdUHalLhdjnGKBuESi=w640-h480" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Veduta del Complesso di San Vitale e, sulla sinistra, dell'ingresso al Museo Nazionale di Ravenna</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiwxtRB9WI91Q7IiDvOE9THLwk4sCz4vYmjaIU6HuHkcQFFAH7ie5IJU9trySekrDFt6FYa9ZE2ZsBRiwvfZ-dXResTj3dorYDCImZlaLzTVwtGp15TFARAc8NRuD7FmsC8zUCubzAiTl0ybcfX1plMPQJqNVM083AWYf7zQPwVN6RACujJ61q3uFpS=s1440" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1086" data-original-width="1440" height="482" src="https://blogger.googleusercontent.com/img/a/AVvXsEiwxtRB9WI91Q7IiDvOE9THLwk4sCz4vYmjaIU6HuHkcQFFAH7ie5IJU9trySekrDFt6FYa9ZE2ZsBRiwvfZ-dXResTj3dorYDCImZlaLzTVwtGp15TFARAc8NRuD7FmsC8zUCubzAiTl0ybcfX1plMPQJqNVM083AWYf7zQPwVN6RACujJ61q3uFpS=w640-h482" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Arco di ingresso del complesso di San Vitale</span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><div><div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><span style="color: #444444; font-family: times;"><br /></span></div><div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgx0nDGgl2UJIALorESJp2YbLfVypTj0V66zepR4EmKHkodBBZAurdsftNHSxs-rDpGnTVHDW5xb2_4b9Ow4XMEWBiZLC77-1fZNUzpEEk-FvBIo3dI_T6WJd9VHJdXDHAuBZjeMLBMi-lkUioHwhpARoupQSbBwvsFf1tu0j6xIlshpsJviiQ-S9Cl=s2048" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgx0nDGgl2UJIALorESJp2YbLfVypTj0V66zepR4EmKHkodBBZAurdsftNHSxs-rDpGnTVHDW5xb2_4b9Ow4XMEWBiZLC77-1fZNUzpEEk-FvBIo3dI_T6WJd9VHJdXDHAuBZjeMLBMi-lkUioHwhpARoupQSbBwvsFf1tu0j6xIlshpsJviiQ-S9Cl=w480-h640" width="480" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Chiostro del convento di San Vitale</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">La passeggiata inizia lungo i chiostri al piano terra, dove si possono ammirare bassorilievi, epigrafi, stele funerarie, sarcofagi, erme, costituenti la collezione lapidea che va dall'età romana fino al periodo Barocco. Attraverso uno scalone monumentale settecentesco, si sale poi al primo piano dell'edificio.</span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgnD-_DZIm2XgCM1Y4iwiylWwKMoUF0BcdrxrE8rgMI3DxkZmS0yW75Enx43u8ptWOh0noxbBFVVutEMMeh9Np2WAOvvw6XkdvcNxa8q6ZC2IJnaCPV__icJ5gtT50OrL6S-Ou5AroCuvGqQtOAsJLOzsmPsHYQJlZzxOkYXHYCumHkaAmCABZWvhN4=w480-h640" style="margin-left: auto; margin-right: auto; text-align: center;" width="480" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Lo scalone monumentale progettato dal monaco Benedetto Fiandrini<br />nel 1790</span></td></tr></tbody></table><div style="text-align: center;"><span style="color: #444444; font-family: times;"> </span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEie7WiGRBPTtrKXiKFD7-Y8OTfHkEiL3oGj_UYVE9DJEtk3mUcNRDiMVslTyzgNwRQUYypElUJ5fzArabIXVu_A4OvQSa-S99-W8FNzdmQk4vE3J9YjT-orROGgsSPVVYHPetc-3HGlkq4MJnmHc0HtqQOUbiMrvC2WPWIp-TNELP2UL5hCQIWN4HU1=w480-h640" style="margin-left: auto; margin-right: auto;" width="480" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Copertura di evangeliario detta "Dittico di Murano"<br />Avorio, Egitto (?), prima metà del VI secolo </span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">E' qui che, nelle diverse sale, si snodano le collezioni cittadine, fra le quali un bellissimo complesso di mobili in legno dipinto destinati ad arredare la farmacia settecentesca "<i>de' Mori</i>" di Via Mazzini, ma anche numerose placchette, icone, avori, gioielli, ceramiche, mosaici, affreschi, nonché un'interessante raccolta di opere provenienti dall’Antico Egitto.</span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">Si tratta di reperti appartenuti prevalentemente ad antiche collezioni classensi: troviamo <i>ushabti</i>, bronzetti, amuleti, un telo funerario, un bellissimo esemplare di maschera in <i>cartonnage</i>, tessuti ed oggetti copti.</span></div></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">Alcuni di questi oggetti, donati nel corso del tempo al Museo Nazionale di Ravenna, sono esposti all'interno di una sala denominata "<i><b>Curiosity Room</b></i>" (Gabinetto delle Curiosità), ispirata alle <i>Wunderkammern</i>, cioè spazi privati nei quali, a partire dal Rinascimento e fino al periodo dell'Illuminismo, venivano raccolti oggetti di varia natura, creati dalle mani dell'uomo, i cosiddetti <i>artificialia (</i>fra cui reperti archeologici, oggetti esotici, avori, monete, ecc.).</span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;">In una delle vetrine di questo "Gabinetto delle Curiosità" sono presenti:</span></div><div style="text-align: justify;"><ul><li><span style="color: #444444; font-family: times;">una decina di <i>ushabti</i> (<span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); text-align: left; white-space: pre-wrap;">𓅱𓈙𓃀𓏏𓏭𓀾 </span><span style="caret-color: rgb(5, 5, 5); text-align: left; white-space: pre-wrap;"><span><i>wšbtj</i>) ovvero statuette che rappresentano il defunto mummiforme e che venivano poste all’interno del corredo funerario al fine di poter “sostituire” il defunto stesso nei compiti che, secondo la credenza degli antichi Egizi, dovevano essere svolti nell’aldilà. </span></span><span style="caret-color: rgb(5, 5, 5); text-align: left; white-space: pre-wrap;">La parola “<i>ushabti</i>” deriva dal verbo “<i>wšb</i>” (<i>usheb</i> 𓅱𓈙𓃀𓏴𓀁) “rispondere” e significa “il rispondente”, “colui che risponde”; nelle formule iscritte su queste statuette, riprese dal capitolo VI del Libro dei Morti, l’<i>ushabti</i> viene infatti esortato a prendere il posto del defunto per eseguire gli stessi lavori che occorrevano durante la vita quotidiana, ovvero coltivare i campi, irrigare i canali, trasportare la sabbia, ecc. garantendo così la sopravvivenza eterna del defunto.</span></span></li><li><span style="color: #444444; font-family: times;">un amuleto a forma di pilastro <i>djed</i> (Ged), simbolo di stabilità, che in origine rappresentava probabilmente un fascio di steli legati, e che divenne poi in seguito - a partire dal Nuovo Regno, iconografia della spina dorsale del dio Osiride.</span></li><li><span style="color: #444444; font-family: times;">un bronzetto che rappresenta <i>Min</i>, dio della fertilità, mummiforme ed itifallico, con il braccio destro sollevato (ad impugnare il flagello, oggi perduto) e con indosso il copricapo a due piume a nastro.</span></li></ul></div><div class="separator" style="clear: both; text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEjODpOa6Be1krzMSQqcyiNdgu5OEDOBjra_m9w0-BOiL6euL4XM_rWEoKrtSKcWw-xUa-tZbXAFJ4LRn-ID9B2R8QbmwNM49A_forTQRCV_wUYqic-9LeVW-dXsUTaTPqLqt4rOKcUF5LPRIzZyJ7vzD28H6tQVcRkp_9Fkj0Ynuaw236W7pyArkU4i=w640-h426" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="color: #444444; font-family: times;">Ushabti</span></i></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="963" data-original-width="1440" height="428" src="https://blogger.googleusercontent.com/img/a/AVvXsEgMl9V-tL6fplEM0NGd9G-tZPuOkqX7VORtxCxHEthHzw8_8A8DkrgQE4MNyPukgXTNKCUHDHkF4Xz17v9uVwbh7HaYsgvJI1r68Q4r0i6W5baojZXB6rLFjMYZ7AqFXYfyXlyjZoobhnqp3lfNsQyhSOf6ggaQspSptiNSh-Q3uo6-FDTQgoyh9iWy=w640-h428" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Da sinistra: amuleto a forma di pilastro <i>djed</i> (Ged) e <i>ushabti</i></span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: times;"> </span></div></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="963" data-original-width="1440" height="429" src="https://blogger.googleusercontent.com/img/a/AVvXsEh4aq3n56oXy_mo2uYP41PjEgkeFeuRVXWRqQcqFu1jHw_zrbcVKE4V2kJljn49WLCJZkTlW5Kl8uaRN25YvuISWMsCy5Qf-4-6g5uyzym2i9AsnQ0B0CgXL0fYf2IN26vXiUuhSf58w-rsCcVhuOoKu7Ji80XnuNUN2jKlTqAVE9n7nncwRpxymIBC=w640-h429" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Bronzetto del dio <i>Min</i></span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><div><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444;"><span style="font-family: times;">Verso il termine del percorso, si incontrano alcuni oggetti egizi presumibilmente di età tolemaica, fra i quali una maschera funeraria in <i>cartonnage</i> - tela stuccata e dipinta - </span><span style="font-family: times;">di lino e gesso ed un telo funerario di lino).</span></span></div></div><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh9R9jZOIOkhiq7H86oOaiCBKf1kTM8VoB8UhSoK2GYJSSXYR93c5jzV-wcp8dyaj70YBeODsaAsFlEAexZblmOVlkIVu64HdPxf0uGDPpGBLg25YHZzkyI8uheh1bnw2iGRuGIhOKA60Xlyle-En6xkJRByR0hhCPr_kmimqbwMb-ToI984qvxe5JE=s1800" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEh9R9jZOIOkhiq7H86oOaiCBKf1kTM8VoB8UhSoK2GYJSSXYR93c5jzV-wcp8dyaj70YBeODsaAsFlEAexZblmOVlkIVu64HdPxf0uGDPpGBLg25YHZzkyI8uheh1bnw2iGRuGIhOKA60Xlyle-En6xkJRByR0hhCPr_kmimqbwMb-ToI984qvxe5JE=w512-h640" width="512" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); text-align: center; white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Maschera funeraria in <i>cartonnage</i> di lino e gesso con doratura.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); text-align: center; white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Egitto, Epoca Tolemaica (323-30 a.C.)</span></div></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgUshTX7XD5Qw7LXeeP2ZRWgXA8UzlnRBr3FGxVWNvellzZv7GeXNyCjXqULvL8CQ763izamHuDfipoxSPZQcQFA14rbIvwHtQ2k32EDbkfaOKlHFIAMxBcosn5bUOtnbaoBGnN38GObIhB0uyjq0LQ8wrDykrOpRxWIVo3NXsVSPZfzyDuY60NUyNg=s1800" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgUshTX7XD5Qw7LXeeP2ZRWgXA8UzlnRBr3FGxVWNvellzZv7GeXNyCjXqULvL8CQ763izamHuDfipoxSPZQcQFA14rbIvwHtQ2k32EDbkfaOKlHFIAMxBcosn5bUOtnbaoBGnN38GObIhB0uyjq0LQ8wrDykrOpRxWIVo3NXsVSPZfzyDuY60NUyNg=w512-h640" width="512" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); text-align: center; white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Telo funerario in lino.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); text-align: center; white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Egitto, Epoca Tolemaica (323-30 a.C.).</span></div></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjt9VwrPx0JT3lkQUWU8eLwrWsNwuMjwvcVmJulBGE_d8O-iDkVZRJ_2uRlFNTD6yvbMQc8aw_U-9fywWlm6FwFtrqzchhmKj7WDGjjmJoNIimC54N2ph0u8W-kqegTDj_7h_RfLw9dr7-JiiYP0fZjVihUdzofwdD4OYuRr1WIDbBaRaZfOyUEklBW=s1794" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1794" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjt9VwrPx0JT3lkQUWU8eLwrWsNwuMjwvcVmJulBGE_d8O-iDkVZRJ_2uRlFNTD6yvbMQc8aw_U-9fywWlm6FwFtrqzchhmKj7WDGjjmJoNIimC54N2ph0u8W-kqegTDj_7h_RfLw9dr7-JiiYP0fZjVihUdzofwdD4OYuRr1WIDbBaRaZfOyUEklBW=w514-h640" width="514" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Telo funerario in lino, particolare dell'iscrizione.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Egitto, Epoca Tolemaica (323-30 a.C.).</span></div></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjca22MrtcqEImy8mCCNCGLnzXP_o_SVSpD_YJWJ7cTB_rWFEAzVBF38TYd69Yz_HmwNt-1TpxthujitayHXznhXyVkhZnZousgBt7y3D2NbL9tTRuyx_-picKlYmncfXHbJT0ELYMJLy4UGviA0oRN_bqARufq1IWcNXA1EPBi0LphV6RR55P14yKs=s1794" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="1794" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjca22MrtcqEImy8mCCNCGLnzXP_o_SVSpD_YJWJ7cTB_rWFEAzVBF38TYd69Yz_HmwNt-1TpxthujitayHXznhXyVkhZnZousgBt7y3D2NbL9tTRuyx_-picKlYmncfXHbJT0ELYMJLy4UGviA0oRN_bqARufq1IWcNXA1EPBi0LphV6RR55P14yKs=w514-h640" width="514" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Telo funerario in lino.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"><span style="color: #444444; font-family: times;">Egitto, Epoca Tolemaica (323-30 a.C.).</span></div></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="color: #444444; font-family: times;"><br /></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">Nella sala è inoltre presente una vetrina dedicata ad alcuni oggetti di uso funerario, datati tra l'VIII e il IV sec. a.C.; spicca in particolare un amuleto di pietra, al centro del quale è scolpito </span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">a bassorilievo </span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">uno scarabeo, che</span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"> nell'antico Egitto veniva chiamato</span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;"> </span><span style="background-color: white; caret-color: rgb(77, 81, 86); text-align: left; white-space: pre-wrap;"><span><i>ḫprj</i></span></span><span face="arial, sans-serif" style="background-color: white; caret-color: rgb(77, 81, 86); text-align: left; white-space: pre-wrap;"> </span><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">"</span><i style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">Khepri</i><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">".</span></span></div><div style="text-align: justify;"><span style="color: #444444; font-family: times;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">Il nome, che trae la sua radice dal verbo </span><i style="caret-color: rgb(77, 81, 86); text-align: left; white-space: pre-wrap;">ḫpr (</i><i style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">kheper)</i><span><span><span style="white-space: pre-wrap;"> "esistere", "venire all'esistenza", "trasformarsi", deriva dalla particolare attività svolta dal coleottero, che spinge o sposta con le sue zampe la pallina per dare nutrimento alla propria prole.</span></span></span></span></div><div style="text-align: justify;"><span style="color: #444444;"><span style="font-family: times;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">Associando tale movimento al percorso del sole nel cielo, l'insetto venne così </span></span><span style="caret-color: rgb(5, 5, 5); font-family: times; white-space: pre-wrap;">utilizzato come iconografia dell'astro che sorge ogni mattina ed a</span><span style="font-family: times;"><span style="white-space: pre-wrap;">ssunto a simbolo di </span></span><span style="caret-color: rgb(5, 5, 5); font-family: times; white-space: pre-wrap;">rigenerazione e di rinnovamento, anche </span><span style="font-family: times;"><span style="caret-color: rgb(5, 5, 5); white-space: pre-wrap;">nell'aldilà.</span></span><span style="caret-color: rgb(5, 5, 5); font-family: times; white-space: pre-wrap;"> </span></span></div><span style="caret-color: rgb(5, 5, 5); color: #444444; font-family: times; white-space: pre-wrap;"><div style="text-align: justify;"><br /></div></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEhYKdX8yCACH17_Q_OS30Rn7WOxXlQhpuYkcfT2jbXxTiticF9zUehuLRhdax-FE8b3YEhtJWN-bhnAWRnU57yvhZRF5wz9bA-tuZ6AaEuUAwxf2KBhx7LwopPUFjhYWoE_7eSrTOOlnKSBfIRuPyCtCl7th_zIJQNNgc4PbsMgvgeWX9R-DJgLlwR1=w640-h426" style="margin-left: auto; margin-right: auto;" width="640" /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Da sinistra: amuleto a scarabeo in pietra/<span style="background-color: white; caret-color: rgb(77, 81, 86); text-align: left;"><span>faïence</span></span> dipinta; pilastro <i>djed</i> (Ged)</span></td></tr></tbody></table><div><span style="color: #444444; font-family: times;"><br /></span></div><div><span style="color: #444444; font-family: times;">Accanto all'amuleto se ne trova un altro a forma di pilastro <i>djed</i>, due statuette di divinità (una purtroppo frammentaria, che rappresenta <i>Ptah</i>, e l'altra in bronzo, che raffigura <i>Osiride</i>) e, per finire, una raccolta di tredici <i>ushabti</i>, alcuni completi di iscrizione, altri anepigrafi.</span></div><div><span style="color: #444444; font-family: times;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjTeYkqFNNNSv4LgCvR2nYnLvU2TU9WzqLe119jgEAkVjOYpx7IP6nquQ50jldsFgEmRODk2tXkmgpbXyt2TtUW0_WOYuZdvBEkatmRKqKAipmkcHe97eCg_ajQFtGQq-kITO-feKRrQoG1-dzHShpuMSgvRQU2KPLdJmhsNsT4Xr8JT7u1NiqguT8j=s5184" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3456" data-original-width="5184" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEjTeYkqFNNNSv4LgCvR2nYnLvU2TU9WzqLe119jgEAkVjOYpx7IP6nquQ50jldsFgEmRODk2tXkmgpbXyt2TtUW0_WOYuZdvBEkatmRKqKAipmkcHe97eCg_ajQFtGQq-kITO-feKRrQoG1-dzHShpuMSgvRQU2KPLdJmhsNsT4Xr8JT7u1NiqguT8j=w640-h426" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444; font-family: times;">Da sinistra: frammento di statuetta del dio <i>Ptah</i> mummiforme (in materiale lapideo)<br />e bronzetto di <i>Osiride</i></span></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjNHlRvWmtL0Su0IhIw9Jh1lIfEFkV3_DrUsqSSVikyJIYRL7Lp7kSXvWAmbZocAxwoYWET09gn-9lZXOU3Y761-Fae96yJpBPPu0T74LQh64H2Peh1SmprR3-_j5-ARapytyldr3f8RN_9l_xxoZZfCukFCTFoAZGBjBTnn-VOle8BmtjQN7N8w6Yw=s5184" style="margin-left: auto; margin-right: auto;"><span style="color: #444444; font-family: times;"><img border="0" data-original-height="3456" data-original-width="5184" height="426" src="https://blogger.googleusercontent.com/img/a/AVvXsEjNHlRvWmtL0Su0IhIw9Jh1lIfEFkV3_DrUsqSSVikyJIYRL7Lp7kSXvWAmbZocAxwoYWET09gn-9lZXOU3Y761-Fae96yJpBPPu0T74LQh64H2Peh1SmprR3-_j5-ARapytyldr3f8RN_9l_xxoZZfCukFCTFoAZGBjBTnn-VOle8BmtjQN7N8w6Yw=w640-h426" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="color: #444444; font-family: times;">Ushabti</span></i></td></tr></tbody></table><span style="color: #444444; font-family: times;"><br /></span><div style="text-align: center;"><span style="color: #444444; font-family: times;"><b>RIPRODUZIONE RISERVATA</b> - La Via degli Antichi</span></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Via San Vitale, 17, 48121 Ravenna RA, Italia44.420220699999987 12.196066316.109986863821142 -22.9601837 72.730454536178826 47.3523163tag:blogger.com,1999:blog-7432882950208159318.post-35728279918279100812021-09-02T13:19:00.008-07:002021-09-02T13:21:17.232-07:00Rilievo frammentario di Amenhotep I<p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwoHR8QqBLrAmr3tDCFWWElOutsA7MPGIFq6CK0KuiXL33y5Sh19kHLzAzJse_qRnfalhUKsKKnJrCuZaFpd88xNvX62NNG2C5NMNjybmh4iq4QdFHn2D78w-0dim-R0yVwfCo1WWyPrI/w640-h426/4.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><div style="text-align: center;"><span style="font-family: helvetica;"><span style="color: #050505; text-align: left; white-space: pre-wrap;">Rilievo frammentario di <i>Amenhotep I</i>,<br /></span></span><span style="font-family: helvetica;">Nuovo Regno, XVIII Dinastia, calcare dipinto,<br /></span><span style="color: #050505; text-align: left; white-space: pre-wrap;"><span style="font-family: helvetica;">Roma, Museo Barracco</span></span></div></td></tr></tbody></table><div dir="auto" style="color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; white-space: pre-wrap;"><i style="background-color: transparent; font-family: helvetica; text-align: justify;"><br /></i></div><div dir="auto" style="color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; white-space: pre-wrap;"><i style="background-color: transparent; font-family: helvetica; text-align: justify;"><br /></i></div><div dir="auto" style="color: #050505; font-family: "Segoe UI Historic", "Segoe UI", Helvetica, Arial, sans-serif; font-size: 15px; white-space: pre-wrap;"><i style="background-color: transparent; font-family: helvetica; text-align: justify;">Amenhotep I</i><span style="background-color: transparent; font-family: helvetica; text-align: justify;"> regnò per circa 21 anni, dal 1526 al 1505 a.C.; il suo venne ricordato come un governo piuttosto pacifico, rispetto alle diverse campagne militari che il padre, </span><i style="background-color: transparent; font-family: helvetica; text-align: justify;">Ahmosis</i><span style="background-color: transparent; font-family: helvetica; text-align: justify;">, primo sovrano della XVIII Dinastia egizia, aveva intrapreso in Nubia e nel Vicino Oriente.</span></div><span style="font-family: helvetica;"><div style="text-align: justify;">Dopo la cacciata degli <i>Hyksos </i>compiuta da <i>Ahmosis </i>infatti, l’Egitto - nuovamente riunificato - aveva ristabilito le relazioni internazionali e i propri assetti amministrativi.</div><div style="text-align: justify;">Di <i>Amenhotep I</i> sono giunte alcune rappresentazioni statuarie databili al periodo in cui era in vita ma anche posteriori, in quanto, dopo la morte, fu venerato assieme alla madre, <i>Ahmes-Nefertari</i>, in particolare nella località di <i>Deir el-Medina</i>.</div><div style="text-align: justify;">Il rilievo proviene dalle cappelle di <i>Amenhotep I </i>nel Grande Tempio di <i>Amon </i>a <i>Karnak </i>e raffigura il sovrano con il copricapo <i>nemes </i>e un collare ampio.</div><div style="text-align: justify;"><i>Amenhotep I</i> ebbe un figlio, <i>Amenemhet</i>, che purtroppo morì in giovane età; il suo successore divenne pertanto <i>Thutmosis I</i>, marito della sorella di <i>Amenhotep I</i> e futuro padre di <i>Hatshepsut</i>.</div></span><p></p>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-86598772353469699622021-09-02T13:11:00.005-07:002021-09-02T13:14:05.573-07:00La biblioteca egittologica e vicino-orientale del Museo Barracco a Roma<p style="text-align: justify;"><span style="font-family: helvetica;"><span><span http:="" target="_blank" www.museobarracco.it="">Il <a href="http://www.museobarracco.it" target="_blank">Museo Barracco</a> </span></span><span style="text-align: left;">di Roma </span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">conserva, oltre ad una interessante raccolta di opere provenienti dall'</span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">Egitto </span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">e dal </span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">Vicino Oriente Antico</span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">, anche la </span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">biblioteca </span><span style="color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;">specialistica che Giovanni Barracco (politico e appassionato collezionista) donò al comune di Roma assieme alla propria raccolta).</span></span></p><div dir="auto" style="color: #050505; font-size: 15px; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Tra i libri sono presenti classici greci-latini e opere riguardanti le civiltà rappresentate dalla collezione, compresi importanti volumi di Egittologia e Orientalistica (i “<i>Monumenti dell’Egitto e della Nubia</i>” di Ippolito Rosellini (1800-1843) e i “<i>Denkmäler aus Aegypten und Aethiopien</i>” di Karl Richard Lepsius (1810-1884).</span></div><div dir="auto" style="color: #050505; font-size: 15px; white-space: pre-wrap;"><div style="text-align: justify;"><span style="font-family: helvetica;">Le opere sono consultabili su richiesta: <a href="http://www.museobarracco.it">www.museobarracco.it</a>.</span></div><div style="text-align: justify;"><span style="font-family: helvetica;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9uPE3Wmk_tdzToiYMJtXUAfkEj0dqItwZTPEsMGsvwWld7t4qtRTjTESXdtvAR0Y9kvh6m70tnZc8zwEyCvVCxXy_EvylL8DlpfdN0T2AZid_feWiGqe_s_VQmS4NkRxqX1KxTFVHFlY/w640-h640/1.jpg" width="640" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0DJa9fK6HRKO1vIjrmYsq0TpvyIrt0TP7vvTS8zhERdC9PYKvDBgzWsM8nE1LF1Y3fbl_laKkDpQZYKRqBRDaGm5tUoOmO3YvWt2X_PPCHzxmr-s0ii0lTSudKQLHDlhiCsqZuutghTg/w640-h640/2.jpg" width="640" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1qBVZcsL-hDr_bzAnGhvTRdzDEQYsCqKNlaVU84_NS0-zmuVQM5aJg5utuL9cgdcbF4sr1EC6WoDFH_iBD2rU9opyiO1q7eVR4-CDB4eu6T3VZT-9sHec_GptA0xYxYyfsVO9NArgOY0/w640-h640/3.jpg" width="640" /></div><br /><span style="font-family: helvetica;"><br /></span></div></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Corso Vittorio Emanuele II, 168, 00186 Roma RM, Italia41.896828 12.47257313.586594163821154 -22.683677 70.207061836178838 47.628823tag:blogger.com,1999:blog-7432882950208159318.post-60874645397803892782021-08-20T12:40:00.029-07:002021-09-02T13:05:25.469-07:00Alcuni dei tanti obelischi di Roma<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeZkOmrdmM6NzwXHGJxoSmhEojvaN24kOMcKzI3UxihhwSpYa1sadJ0Bx3U7FJvEOwebP2SaJ-Z6y6LNXImy1Gv5kKcyu9an9kGhjapmGR-a-OwLi83QlZrEh9x92yrBQnfPB3uzjSVo/s1440/1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeZkOmrdmM6NzwXHGJxoSmhEojvaN24kOMcKzI3UxihhwSpYa1sadJ0Bx3U7FJvEOwebP2SaJ-Z6y6LNXImy1Gv5kKcyu9an9kGhjapmGR-a-OwLi83QlZrEh9x92yrBQnfPB3uzjSVo/w640-h480/1.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Obelisco Vaticano</td></tr></tbody></table><p><span style="font-family: helvetica;"><span 15px="" font-size:="" pre-wrap="" white-space:="">L'<b>Obelisco Vaticano</b>, </span><span style="color: #050505; font-size: 15px; white-space: pre-wrap;">posizionato in Piazza San Pietro a </span><span style="color: #050505; font-size: 15px; white-space: pre-wrap;">Roma, </span><span style="color: #050505; font-size: 15px; white-space: pre-wrap;">è alto 25 metri (escluso il basamento), in </span><span 15px="" font-size:="" pre-wrap="" white-space:="">granito </span><span 15px="" font-size:="" pre-wrap="" white-space:="">rosso e non presenta iscrizioni.</span></span></p><p><span style="font-family: helvetica;"><span 15px="" font-size:="" pre-wrap="" white-space:="">Proveniente dal Foro Giulio (<i>Forum Iulii</i>) di Alessandria d’Egitto, fu portato a Roma dall’imperatore </span><span 15px="" font-size:="" pre-wrap="" white-space:="">Caligola </span><span 15px="" font-size:="" pre-wrap="" white-space:="">e successivamente spostato in </span><span 15px="" font-size:="" pre-wrap="" white-space:="">Piazza San Pietro </span><span 15px="" font-size:="" pre-wrap="" white-space:="">dal papa Sisto V nel 1586.</span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijZzOR8J9mXf3Wpc28Pl1n4H964FG6v4rENSBa1sTgnQkMU1cvUU2vtHW3ODwR-2vV9VT2WMfXGvTllWfx4_R9Ba1cArpzag1pHbmboZ1_Y9v9CfqxzI9V10aydGdX22C-N4EXS61kgvs/w512-h640/2.jpg" style="margin-left: auto; margin-right: auto;" width="512" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Obelisco Sallustiano</td></tr></tbody></table><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1800" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYceTjGXgwW-dY9aOZelLhv976q8l9Ulp4Iu2rVukMevu5Wp53RMJ93YcmLRhbZod3IT78fFVMOd2mm-HtKqcUXMb3i8GKhC1nsbRjEDTYpw4OrysBOewUk__kSsnO69JiafnhkdzcekE/s320/3.jpg" width="256" /> <img border="0" data-original-height="1800" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcwscVGlslhcapqmG-D8i7Kr_outsdZpkU4y5Hav1y5Nf0hvBBusU2-pn5GtmN7ODtXvPL6WqvELg5-5eR_mMBGSxDkLmzUusfIKx8dV7yAwRAknI1TWfcuCbz1kO6kD2lYouok5zNK3Y/s320/4.jpg" width="256" /><br /><br /></div><div 15px="" dir="auto" font-size:="" justify="" pre-wrap="" text-align:="" white-space:=""><span style="font-family: helvetica;">L’<b>Obelisco Sallustiano</b> si trova in Piazza della Trinità dei Monti.</span></div><div 15px="" dir="auto" font-size:="" justify="" pre-wrap="" text-align:="" white-space:=""><span style="font-family: helvetica;">Anch'esso in granito rosso, è alto circa 14 metri (basamento escluso) e venne realizzato in epoca romana imperiale imitando gli obelischi egizi, così come l’iscrizione, che fu ricopiata da quella presente sull’obelisco di Piazza del Popolo (con diversi errori).</span></div><div 15px="" dir="auto" font-size:="" justify="" pre-wrap="" text-align:="" white-space:=""><span style="font-family: helvetica;">Subì diversi spostamenti prima di essere collocato - ad opera del papa Pio VI - di fronte alla chiesa di Trinità dei Monti.</span></div><div 15px="" dir="auto" font-size:="" justify="" pre-wrap="" text-align:="" white-space:=""><span style="font-family: helvetica;"><br /></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioZnDYleCAnOjLnQYSkRshrd8EZiELVeONQMzqBErp-2tFKpodr9dLYD5BSErcX84Dy1QhHfAr1kPYF52YqLwaqjIgBE2K_dqwtO-qVZYFt99xNtMYGh-tEpiJzXOC_4c1VgH1uHXoMEQ/w640-h480/5.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Obelisco Flaminio</td></tr></tbody></table><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhucQqzbtPRtZlMPyUsu5yIvv07AtdtUdZJ_oUFZsVU56IkvN8qe7kPMWMftuiWcRp7H9BwoRArcmNjGLirLOJdtz4SVxUg51QQ8wKmDKQnsjBffwXdqQeQZMuSc6vloKtTAdx8zPXNGmY/w640-h480/6.jpg" width="640" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKJNHVdIkuvasV_bdPGAe0oKNYMB4fDPcnnhsLR5iodAPVwtY4tN1HYsm8XxcGkJYU55CjHuAYPaT7r5SoU04UhmdWrz_QR3GBFQD-cefWIJeuO_EIt1hxatrlBYQkVsdh9uyZ9718Z-o/s320/7.jpg" width="320" /> <img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3zZPqZrAu455G-4FLT1DkcCrDkSXT7KhpsjWg7W78XYwqtXdOeWnxdQNJi1F8sozRu4jW-D4aN7O3ItmwNb3hyphenhyphenaAhhLxlbVHyFiJg9IrpovEE4wtujOBGXu8aTwXofafJXbzBK-wUXfA/s320/8.jpg" width="320" /></div><br /><p 15px="" font-size:="" left="" pre-wrap="" text-align:="" white-space:=""><span style="font-family: helvetica;">L’<b>Obelisco Flaminio</b> (sito al centro della Piazza del Popolo) è il secondo obelisco egizio più antico della città (dopo l’Obelisco Lateranense).<br />L’iscrizione reca i cartigli del faraone <i>Sethi I</i> e di suo figlio <i>Ramses II</i> (che ne completò la costruzione).<br />Fu il primo obelisco ad essere portato a Roma (dalla sua destinazione iniziale - <i>Heliopolis</i>) per volere di Ottaviano Augusto, che lo collocò nel Circo Massimo.<br />Con il papa Sisto V l’obelisco venne riposizionato in Piazza del Popolo e prese il nome dalla Via Flaminia, che usciva proprio dall’omonima porta di accesso alla piazza.</span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZuWLjrGUg6pDqpmeME4SVMvEOty1d3Nw9Bdzkvb2KMXwqXRIMa4JVZHhE5tIUx_JQWFkyvcShsuZsJ39Zdzx4aeV8WVhXajr-sU_Ok_ZgMznTeXhLlT0p3YjEjNns87VjHO4DnOAmCZo/w512-h640/9.jpg" style="margin-left: auto; margin-right: auto;" width="512" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Obelisco Pinciano<br /><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1794" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3XzUzezfuiTXueoPj8uhBKJOuRIw4qkwZidp_ib9Wi8f-w0RZ91mlEkMJg3SMiLz8_gDMvJtsHOhE1wckFbGZUYP7_zP5CwsomCHwPRkcupaqm3l1URp9zztOVGk9Gk3E7fRQLMrGoSc/s320/10.jpg" style="margin-left: auto; margin-right: auto;" width="257" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Statua di Antinoo divinizzato,<br />Museo Gregoriano Egizio<br />(Musei Vaticani, Roma)</td></tr></tbody></table><div 15px="" arial="" color:="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:=""><br /></div><div 15px="" arial="" color:="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:="">L’<b>Obelisco del Pincio</b>, detto anche <b>Obelisco Pinciano</b> o <b>Obelisco di Antinoo</b> si trova sulla terrazza del Pincio a Roma e venne realizzato per volere dell’imperatore Adriano, che lo dedicò ad Antinoo, ragazzo greco suo favorito, morto per annegamento nel Nilo.</div><div 15px="" arial="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:="">A seguito della morte avvenuta nel 130 d.C. e raccontata dall’iscrizione presente sull’obelisco, Antinoo venne divinizzato, assimilandolo ad Osiride, ed adorato in diverse province dell’impero romano.</div><div 15px="" arial="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:="">Una statua di Osiride-Antinoo è conservata ai Musei Vaticani.</div><div 15px="" arial="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:=""><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1080" data-original-width="1440" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1A9PNevtSRhnFCk8vbesbgpxQe-Nzq4-_2gLVBS3chiGN1ayZNuGyw_QHWuwrl3W7uiMRVJgc5vZiqM0zvBSvwQc_eg2G-cR3AWW_CqmekVqlTpAb6tLa8iat2f4nuOHPOu9D1AOkdW8/w640-h480/11.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Obelisco Agonale</td></tr></tbody></table><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1086" data-original-width="1440" height="482" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi5OvjgBCb3lvHB0536qHJhKzWy-Zr_SFk9OJBMQs26y622XTHmMkgIXGINAyyV55koDPDELeFMNcn1TTgTYSRrC8d57o5B4xOHIUz5kY7OQkCZrh2rAltukejcrwKmRvp15mPdybS-VY/w640-h482/12.jpg" width="640" /></div><br /><div 15px="" arial="" dir="auto" egoe="" font-family:="" font-size:="" helvetica="" historic="" pre-wrap="" quot="" sans-serif="" ui="" white-space:=""><p style=color: #050505; font-size: 15px; text-align: left; white-space: pre-wrap;"><span style="font-family: helvetica;">L’<b>Obelisco Agonale</b> di Piazza Navona proviene dalle cave di <i>Assuan </i>e fu portato a Roma dall’imperatore Domiziano.<br />Le iscrizioni geroglifiche vennero realizzate in seguito al trasporto.<br />Collocato inizialmente tra il Tempio di Serapide e quello di Iside, Massenzio lo spostò nel circo della sua villa sulla via Appia, dove si spezzò.<br />Attorno al 1647 il papa Innocenzo X Pamphilj trasferì l’obelisco nell’attuale Piazza Navona.</span></p></div><br /><p 15px="" font-size:="" left="" pre-wrap="" text-align:="" white-space:=""><br /></p>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-21082344834334531472021-08-10T07:00:00.001-07:002021-09-02T12:40:29.484-07:00Frammenti di stelle<p> Buona Notte di San Lorenzo a tutti voi...</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvjVZ0-g4po0oksbYpRihpGF01Aqp0C9avlJ9k8TmmzpWD5knlsKsM13oYjDX3ertEGUZqnP3DJLai5lFL3-cvJ014f3yTazpPueK9U5b_fSAIYBtd90kbfpKAlEb_GT1_LOFq404Yv3k/w640-h426/1.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Frammento di rilievo in calcare dipinto<br /><a href="http://www.museoegizio.it" target="_blank">Museo Egizio di Torino</a></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="960" data-original-width="1440" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYK3LhIP3YV-2E1AMnaFnB0RllggZ4hUPC_1qGqHPxlC5aZCIz77vaxsGydz-YZIiKJNijrTJPgPmXz0CpkkFi9xfdK7sNW0JrYVLDMlBMsNO1dyFeE0agLUfm61bcjT_xrequNIIkmUE/w640-h426/2.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Frammento di rilievo in calcare dipinto<br /><a href="http://www.museoegizio.it" target="_blank">Museo Egizio di Torino</a></td></tr></tbody></table>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Via Accademia delle Scienze, 6, 10123 Torino TO, Italia45.0684296 7.684304099999999416.758195763821156 -27.4719459 73.37866343617884 42.8405541tag:blogger.com,1999:blog-7432882950208159318.post-51348451142155773842021-08-03T08:34:00.003-07:002021-08-03T08:34:32.927-07:00Geroglifici in luoghi inaspettati...<p><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">La volta della <a href="http://www.palazzote.it/index.php/it/palazzo-te/sale-monumentali/loggia-delle-muse" target="_blank">Loggia delle Muse</a> </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">a <a href="http://www.palazzote.it/index.php/it/" target="_blank">Palazzo Te</a> a Mantova </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">è dedicata alle Muse,</span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"> protettrici delle arti e delle scienze; le loro figure sono circondate da emblemi e da riproduzioni dei geroglifici </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">egiziani.</span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Palazzo Te venne costruito tra il 1525 e il 1535 per volere di Federico II Gonzaga (marchese e duca di Mantova, nonché grande appassionato di arte antica) che diede all’edificio la funzione di luogo di rappresentanza, per il tempo libero e lo svago.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Gli ospiti di Federico II Gonzaga venivano introdotti al Palazzo dalla loggia delle Muse, che rappresentava uno dei primi ambienti nei quali venivano sfoggiati i modelli culturali del mondo antico.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Per la realizzazione dei dipinti e degli stucchi di Palazzo Te il duca di Mantova scelse Giulio Romano, collaboratore di Raffaello ben affermatosi nella corte dei Gonzaga.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ_GsaByGvh_nrl8KSPIwV4hQNwHvMZ_G4QWTme1MLXKI5vQyp2w__1XcPtkTOKicj2La3-90K1xHQeQQmHG2d2_DmywSwXm8ySy3noPZalFsCy1-xgLlv42rzu-ssHFmMRB1PwOne6wM/w640-h640/1.jpg" width="640" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrTNY5WgJ8ooDHOqT6wYhjCydYtFqkd_Qk9wu_UxOGmFdEc4rYBL9fm7JPREY8itjSLykkFgWH09gniEGw0iEmcA9lZGVXid4U0K7DT4WGMmG-nstOx5vYyeAnIKi71K751EMGOZqZg_E/w640-h640/2.jpg" width="640" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwElosKYn9W3py1dv_78uCkeOymi9GjSaXokyXnWff_zyvmKRoVeX-e5SjN6jrXdgFTn5GKgiRi6JFk3S1A3Faa-yUt-GoKct2ou5n3Yhfh79c3Ix-Uj3PWYzSLXoKeV0SnU-o_sWh46U/w640-h640/3.jpg" width="640" /></div><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Viale Te, 13, 46100 Mantova MN, Italia45.1475198 10.786592816.837285963821152 -24.3696572 73.457753636178836 45.9428428tag:blogger.com,1999:blog-7432882950208159318.post-19734957669250413312021-08-03T08:29:00.009-07:002021-08-03T08:30:52.506-07:00 La collezione egizia di Palazzo Te a Mantova<p style="text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: helvetica; white-space: pre-wrap;">Il <a href="http://www.palazzote.it/index.php/it/" target="_blank">Palazzo Te</a> a Mantova custodisce una raccolta di oltre 500 reperti, per la maggior parte raccolti da Giuseppe Acerbi, mantovano nato nel 1773, che rivestì la carica di Console d’Austria in Egitto fra il 1826 e il 1834.</span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Durante il suo soggiorno in Egitto, Giuseppe Acerbi (laureato in legge ma anche grande appassionato di geografia e scienze naturali) intraprese due viaggi di esplorazione, nell’Alto e nel Basso Egitto, dai quali riportò numerosi oggetti antichi.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipiESQO6FLW3B1YeT0htnI82o2Jfwp_xJNU2_HhWcJFbb5voSXxrl6G1oZg5QwkKd7yhfBVolurO4MF-QvIRVesuf15tuUTxgDc6EdfjwlQP0dg3opvjEiVdyZslGwhU6Kxr3Pef64E6E/s320/1.jpg" width="320" /> <img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsbXnLAOUoqatUwqDW0U-bH0fbyRvQ_JNN20-hC18noS3W1gfnTxUISpfiJ55mjOd_GnWoZQLmZAMS_vn1FW7MPlUN6cyDRBrSqymzZGjOLvu6YnJlx5sHMPW7tLSvB9Mkwgkwjh3y0A8/s320/2.jpg" width="320" /></div><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXQxzazCqcfORiYC-ue5JIGEDduTXVVa3w4dgFPC_8N7uFngx7R6rmVSmL-4XqFNpSNs0x4SIwlDWsK5_SvqCe4QrKq-veWShM3RiPRBC1JXbsluSGvRuWIeFxcMAJ85qw5fJZEyf0ens/s320/3.jpg" width="320" /> <img border="0" data-original-height="1086" data-original-width="1440" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQa2eBPwLyBw29I7AGZL9rj7G4GtHf3p191KytmMw0SPvvcvE2q8ncgMw7kzPmZ3DTmGRBEhLtR_QemTf4EXxAApNv4r7FRJhIBykYdz_rtBYqqiGWCXiaVQ-dFIyAt_AEQTtXfRC5tJM/s320/4.jpg" width="320" /></div><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Viale Te, 13, 46100 Mantova MN, Italia45.1475198 10.786592816.837285963821152 -24.3696572 73.457753636178836 45.9428428tag:blogger.com,1999:blog-7432882950208159318.post-59908341108512189862021-08-03T08:24:00.008-07:002021-08-03T08:24:47.318-07:00Crescere con le radici delle parole ebraiche<p style="text-align: justify;"><span style="font-family: helvetica;"><span style="caret-color: rgb(5, 5, 5); color: #050505; white-space: pre-wrap;">Nuovo arrivo nella Biblioteca de La Via degli Antichi: </span><span style="caret-color: rgb(5, 5, 5); color: #050505; white-space: pre-wrap;"><span class="nc684nl6" style="border: 0px; box-sizing: border-box; color: var(--accent); cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration: none; touch-action: manipulation;">Crescere con le radici delle parole ebraiche, </span></span><span style="caret-color: rgb(5, 5, 5); color: #050505; white-space: pre-wrap;">di Hora Aboav.</span></span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">La lingua che ci è stata trasmessa dai testi sacri è una lingua piena di segreti da decifrare e di energie vive da esplorare.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Ogni lettera dischiude un mondo - simbolico, numerico, letterale, metaforico - e ogni radice scoperchia infinite significazioni.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; text-align: justify; white-space: pre-wrap;"><span style="font-family: helvetica;">Da non perdere!</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSOWElN57TtRiCgHKhXHNXLjLQRk8Yt4dQPUNHhEujDTcvZa5fJjbozZdLLd2SboaAqbSGtyxXcEK7hus4HALQ66x02msrJVF_foV6WgJoHjafVQNPTqVRkj0BA6yH99q0YSX0hyphenhyphenpc4w/s640/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="512" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwSOWElN57TtRiCgHKhXHNXLjLQRk8Yt4dQPUNHhEujDTcvZa5fJjbozZdLLd2SboaAqbSGtyxXcEK7hus4HALQ66x02msrJVF_foV6WgJoHjafVQNPTqVRkj0BA6yH99q0YSX0hyphenhyphenpc4w/w512-h640/1.jpg" width="512" /></a></div><br /> </div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-28244385827439573292021-08-03T08:21:00.002-07:002021-08-03T08:21:24.603-07:00<p style="text-align: justify;"><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">A Soncino, </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">in provincia di Cremona, nacque il <a href="http://www.museostampasoncino.it">Museo della Stampa</a></span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"> come testimonianza della cultura derivata </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">da essa </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">e dall’attività degli stampatori ebrei Soncino.</span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Nel 1488 essi stamparono la prima Bibbia ebraica i cui caratteri presentavano la cosiddetta “vocalizzazione”, ovvero quei piccoli segni posti sopra, sotto o all’interno delle singole lettere per identificare il suono vocalico (in quanto la lingua ebraica tecnicamente non presenta vocali scritte).</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdDW2X4hPKqYRMCb5yCmGBPxBepohmNq6RXrGr6FcMeluVZdYqLSBmrKKujB_ZX-YkX7PB1d5vk4VAJlL0qc-lTm-ey75nGDeXy8iBU-Kq-bGYBrzonqlWfDLbZBokZUqPwPnE8oJxIwo/s1440/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdDW2X4hPKqYRMCb5yCmGBPxBepohmNq6RXrGr6FcMeluVZdYqLSBmrKKujB_ZX-YkX7PB1d5vk4VAJlL0qc-lTm-ey75nGDeXy8iBU-Kq-bGYBrzonqlWfDLbZBokZUqPwPnE8oJxIwo/w640-h640/1.jpg" width="640" /></a></div></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">La foto rappresenta la prima pagina della Bibbia, che mi fu stampata (e regalata) da Franco Ratti presso la “Casa Stampatori Soncino” mediante la riproduzione fedele di un torchio dell’epoca.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">“<i>Bereshit</i>”, letteralmente “in principio”, ovvero “La Genesi” è la traslitterazione/traduzione del titolo della pagina (בראשית).</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="1440" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTDv4xHFDpcZ20qHAW4S3936A-9JW2Axsxv0Al5Bwg7aVSST5NEvIBP6TXjO0IQ8vRnjO10fxysPgrH4JCWq8H-jUmVbzREtQMmU0SJTTM9VmoLxn1Zy6JO5ix_MmX13BnKxVHx-RBB9c/s320/2.jpg" width="320" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgybE0UbIA6vFGhj02i1SonQr6x4Y6VqPo1bIVkj4B57Pb0JUPFH6d4Qscvhg0NZz-Iz5EI4d8TfjjaW1t7KA4ZnL1G-9UagO9avrFpI6R9iPUSACPNdN7RH4TBBFchHeoS0YzM8aVbLKM/s1440/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgybE0UbIA6vFGhj02i1SonQr6x4Y6VqPo1bIVkj4B57Pb0JUPFH6d4Qscvhg0NZz-Iz5EI4d8TfjjaW1t7KA4ZnL1G-9UagO9avrFpI6R9iPUSACPNdN7RH4TBBFchHeoS0YzM8aVbLKM/s320/3.jpg" width="320" /></a></div><br /><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-64929340092135412272021-08-03T08:14:00.004-07:002021-08-03T08:16:35.130-07:00Parma, Complesso Monumentale della Pilotta: i capolavori<div class="separator"></div><div class="separator"><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; text-align: left; white-space: pre-wrap;">Nuovo arrivo nella biblioteca </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; text-align: left; white-space: pre-wrap;">de La Via degli Antichi</span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; text-align: left; white-space: pre-wrap;">: il volume che raccoglie, per la prima volta, documenti, reperti e opere d’arte conservati presso il <a href="https://complessopilotta.it">Complesso Monumentale della Pilotta</a> </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; text-align: left; white-space: pre-wrap;">a Parma.</span></div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; white-space: pre-wrap;">Teatro Farnese, Museo Archeologico (che ha anche una sala egizia), Medagliere Borbonico, Galleria Nazionale (con i dipinti di Leonardo Da Vinci, Correggio, Parmigianino), Sala del Trionfo, Biblioteca Palatina (con le sue collezioni librarie), sezione musicale e Museo Bodoniano: questi i capitoli che compongono il bellissimo percorso (visivo e cronologico) attraverso il Complesso, uno dei più importanti nel panorama nazionale ed europeo.</span></div><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; white-space: pre-wrap;">Il libro, edito da Silvana Editoriale, si può acquistare dal sito della casa editrice (</span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; white-space: pre-wrap;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="http://www.silvanaeditoriale.it/?fbclid=IwAR3Les1CAPAUliZBDORQM72A9FOAaqWDeG_LWtJ4M5_RFjw9jBZN3hQW4Zo" rel="nofollow noopener" role="link" style="border: 0px; box-sizing: border-box; color: var(--blue-link); cursor: pointer; display: inline; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration: none; touch-action: manipulation;" tabindex="0" target="_blank">www.silvanaeditoriale.it</a></span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: verdana; white-space: pre-wrap;">), presso la biglietteria del Complesso della Pilotta o al desk di accoglienza della Biblioteca Palatina di Parma.</span></div></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /><div class="separator" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1800" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV5O7f6H_JLF02xetkeUzWOuRn-M-yYygQeb-D8SB6MLp-SmhQqSmWxGTAA8Q-wWLiT7WAGNas2Oh60J30771_NrKjjELPreSB3rwqyq-Jsb2Er7TwLoxogDEHuwNE9iX6brbDebeTvsc/s320/1.jpg" width="256" /><img border="0" data-original-height="1794" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidWYtfsfov6rnHp0RyoPT6DjaeTsmJgTB7iaoGQJ4F6bWZ2quuoxI4q7E0o2_8Gre7Yc0EYghhdl0XNPlPGrPDPCiQT5CKGxFZdjKauBZEWx-LU-qES6CnlmuzEiEmlgvb-BN21m2yZxw/s320/2.jpg" width="257" /></div></div><br /><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-55639146339831223752021-05-11T11:21:00.018-07:002021-05-15T02:33:32.618-07:00Archeologia Invisibile - la mostra temporanea allestita presso il Museo Egizio di Torino<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3T6dBJYqmsp6lDkdXAj5L8XKpz27ZCmBI95waEy0S-r9PebohLGVEVD01JmW4CWCmQ2ip62DVS0PNK5W4EF51B6tl-veHwTbJ47NGR7Lc9xZBu86yG5Q8mj7qRN2hTc3fw0-tj0tJgcQ/s1440/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1440" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3T6dBJYqmsp6lDkdXAj5L8XKpz27ZCmBI95waEy0S-r9PebohLGVEVD01JmW4CWCmQ2ip62DVS0PNK5W4EF51B6tl-veHwTbJ47NGR7Lc9xZBu86yG5Q8mj7qRN2hTc3fw0-tj0tJgcQ/w640-h356/1.jpg" width="640" /></a></div><p style="text-align: justify;">Le riaperture di quest'ultimo mese hanno portato con sé anche la proroga di una mostra temporanea denominata "<b>Archeologia Invisibile</b>" (aperta dal 2019 e ancora visitabile presso il <a href="https://museoegizio.it" target="_blank">Museo Egizio di Torino</a>) che racconta alcuni dei processi di indagine che vengono condotti durante lo studio dei reperti archeologici, con l'ausilio di particolari strumentazioni e applicazioni scientifiche, allo scopo di rivelare informazioni ed elementi che non sempre sono visibili ad occhio nudo.</p><p style="text-align: justify;">La <b>fotografia</b>, nata nell'800, è stata il primo strumento di documentazione dello scavo archeologico, il luogo dove gli oggetti vengono rinvenuti; oggi, la <b>fotogrammetria </b>(metodologia di rilievo dei dati metrici - forma e posizione - di oggetti) permette di digitalizzare interamente i reperti in laboratorio, creando modelli tridimensionali (che possono essere anche stampati grazie alla recente introduzione delle stampanti 3d).</p><p style="text-align: justify;">L'archeometria e le <b>indagini multispettrali </b>(mediante l'utilizzo dello spettro infrarosso, ultravioletto e raggi-X) forniscono inoltre informazioni interessanti sulla vita del reperto, su come - ad esempio - sia stato fabbricato, colorato o decorato.</p><div style="text-align: justify;">Nell'antico Egitto i pigmenti dei colori venivano estratti da minerali (pirolusite per il nero, dolomite per il bianco, malachite per il verde) o da terre (ocra per il giallo e il rosso) e amalgamati con un legante come l'albume o la gomma arabica. Il cosiddetto "blu egizio" invece, derivava da una composizione di carbonato di rame, natron, calcio e silice: è stato il primo pigmento ad essere prodotto artigianalmente.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Nella mostra, un video rappresenta come le analisi multispettrali ad infrarosso eseguite sul cofanetto ligneo rinvenuto nella tomba di Kha e Merit rivelino la presenza del "blu egizio" e una correzione apportata dall'artigiano in corrispondenza della spalla del defunto rappresentato.</div><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip1U8sBzxoMPRrHFxEMFqGqIQZp8-TlchZG_ZUJ_8TFkCS7Fn2rofCCY-H4dGIQCewwIssaxPEQSXWn_apHYV1LeKV5dRSWmwhnlyMMlZ8I1dsdQZttzixXtEYeLXZMQzlyO981Wym-nY/s2048/IMG_4072.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1365" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip1U8sBzxoMPRrHFxEMFqGqIQZp8-TlchZG_ZUJ_8TFkCS7Fn2rofCCY-H4dGIQCewwIssaxPEQSXWn_apHYV1LeKV5dRSWmwhnlyMMlZ8I1dsdQZttzixXtEYeLXZMQzlyO981Wym-nY/s320/IMG_4072.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Cofanetto con raffigurazione di Kha e Merit,<br />Legno, fibre vegetali, pittura,<br />XVIII Dinastia, 1425 - 1353 a.C.,<br />Deir el-Medina, Tomba di Kha (TT8)</span></td></tr></tbody></table><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Dove infrarossi e raggi-X non sono sufficienti, si può oggi ricorrere all'ausilio di <b>sperimentazioni neutroniche</b>, per analizzare ad esempio il contenuto di oggetto (come nel caso dei vasetti per i "sette olii sacri", in alabastro, provenienti dalla tomba di Kha a Deir el-Medina) senza mettere in campo azioni invasive quali la rottura del tappo-sigillo.</div><div style="text-align: justify;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="1535" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-NYEw9ZHby5op8FCq_yRTA28uj9pUQ3IxU7CgW_ATCffvszoBpDBEnu1Jgi1erjLe7iC9GGUSuJ3HRdCKV1412IT7eYN1WEcy9bRYj8fn-BlI5r82K5AvKKhziWorn4bw3YkJZMZhdaY/s320/IMG_2766.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">A sinistra: vasetti per i "sette olii sacri",<br />alabastro, XVIII Dinastia, 1425 - 1353 a.C.,<br />Deir el-Medina, Tomba di Kha.<br />A destra: la chimica dei colori - origine e composizione dei pigmenti </span></td></tr></tbody></table><p style="text-align: justify;">Quando si tratta dello studio dei resti umani (o animali) la tecnologia è diventata sicuramente uno strumento fondamentale per superare vecchi metodi di indagine particolarmente distruttivi quali (nel caso delle mummie) la rimozione delle bende, del corredo e la dissezione del corpo.</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="802" data-original-width="1440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH1W7Gk4_mXOhk_-ezowzGuvFefNXTtdHgbu4LOZfsjUzYwcEFf-IEfcdYtHf-_ty7vDU9kH4UGre3PXzvoSHV8lzrKqAtVl-Vhk_q7siXiKW7ik9TXY0JL1CfN79h4yCwvyxAdAOEAzA/s320/2.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">La mummia di Merit,<br />il video che mostra lo "sbendaggio virtuale"</span></td></tr></tbody></table><p style="text-align: justify;">Oggi, infatti, le moderne tecnologie (<b>radiografie</b> e <b>TAC</b>) consentono di effettuare uno "sbendaggio virtuale" (come quello che viene mostrato nell'esposizione, eseguito sulle mummie di Kha e Merit, conservate presso il Museo Egizio e mantenute ancora intatte) e di analizzare digitalmente il defunto in ogni sua parte, dallo spessore/tipologia del bendaggio alla posizione, dai gioielli indossati agli amuleti, affiancando così le indagini antropologiche per determinare età, altezza, stato di salute/patologie e in alcuni casi anche le cause della morte. </p><p style="text-align: justify;">La diagnostica si rivela utile anche per analizzare interventi di restauro precedenti e progettare quelli futuri, come per i frammenti parietali e pitture a tempera provenienti dalla tomba di <i>Henib</i> a Qau el-Kebir e di <i>Iti</i> e <i>Neferu</i> a Gebelein. </p><p style="text-align: justify;">Il tema del restauro abbraccia anche gli interventi volti alla conservazione di papiri: nella sala dedicata sono esposte due pagine (su papiro) del codice copto IX recanti il testo della Vita Athanasii (VII-VIII sec. proveniente da This, ove esisteva una biblioteca bizantina) e un codice copto con il testo dell'Ecclesiaste e La Saggezza di Salomone, su pergamena in rilegatura moderna, V-VI sec.), sui cui inchiostri sono in corso indagini chimiche volte a comprendere la preparazione degli stessi e l'esatta provenienza dei documenti.</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha2B3CSqnsxjVXcCpKvjQa506AG7OiBlAXw7pZDsbp9sntP66sz4AU6yos3_rz8qmXZpppL4619M3l_DHGrPv7YwSoe1ePw9i43EucFlomcoich11pCFVhoYi4R0aELz4CWCDCcBi0IGs/s1440/3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="802" data-original-width="1440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha2B3CSqnsxjVXcCpKvjQa506AG7OiBlAXw7pZDsbp9sntP66sz4AU6yos3_rz8qmXZpppL4619M3l_DHGrPv7YwSoe1ePw9i43EucFlomcoich11pCFVhoYi4R0aELz4CWCDCcBi0IGs/s320/3.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Codice copto recante il testo dell'Ecclesiaste e La Saggezza di Salomone,<br />pergamena e inchiostro in rilegatura moderna, <br />ca. V-prima metà VI sec.,<br />provenienza incerta</span></td></tr></tbody></table><p style="text-align: justify;">La mostra si chiude con la riproduzione in 3d del sarcofago di <i>Butehamon</i>, "Scriba della necropoli": con grande impatto visivo, il modello digitale - in video - si sposa con la proiezione delle fasi di vita dell'oggetto direttamente su di esso, dalla costruzione (l'assemblaggio delle parti in legno, le alterazioni, i ritocchi) alla decorazione (iscrizioni e pitture). </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="802" data-original-width="1440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB4D4Mj-EFRnkzIWTgFLdjUN5zbT3doxy8Ny4g9z1IDCgiCyAjQFYGcdIdicFD4zeyHTPPPpJImrxS7jgU30Ru1p_rCduLBtpOvfjsmK1qRDi0vODmUtsIx7yCF8UD_Dgw4u4khtc8lI8/s320/4.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Stampa 3d del sarcofago esterno dello scriba reale Butehamon,<br />circa 1000 a.C.</span></td></tr></tbody></table><p style="text-align: justify;">Si tratta di un percorso affascinante, che cattura l'interesse del visitatore e dimostra l'importanza dell'interazione dell'archeologia con la scienza, in una fusione quasi imprescindibile per la comprensione non solo del contesto storico di un reperto ma anche della sua biografia.</p><p style="text-align: justify;">E' disponibile anche il tour virtuale della mostra al seguente <a href="https://cdn-cache.museoegizio.it/static/virtual/ArcheologiaInvisibileITA/index.html" target="_blank">link</a>.</p>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com1Via Accademia delle Scienze, 6, 10123 Torino TO, Italia45.0684296 7.684304099999999420.31560374833958 -27.4719459 69.82125545166042 42.8405541tag:blogger.com,1999:blog-7432882950208159318.post-57814114527208731332021-04-11T02:52:00.010-07:002021-04-11T11:15:40.326-07:00The Rise of Aten<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">L'8 aprile 2021 è stata annunciata da Zahi Hawass la scoperta di un insediamento nei pressi di Medinet Habu (Luxor), tra il tempio funerario di Ramesse III e quello di Amenhotep III.</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD3MXxw2Qu6b4U1bpsxhzSfwyuf3Fxyb9j-JJtD2yxyLkTEn9UvIZzCClLeCRf61OY-ZyRbWbWkuoO-t4QA2FsULw4fnRKBx7PJNVvbmEk-ZBZJBF2Clxn3JpR8-oOPLyhHesmN-Genb0/s962/18.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD3MXxw2Qu6b4U1bpsxhzSfwyuf3Fxyb9j-JJtD2yxyLkTEn9UvIZzCClLeCRf61OY-ZyRbWbWkuoO-t4QA2FsULw4fnRKBx7PJNVvbmEk-ZBZJBF2Clxn3JpR8-oOPLyhHesmN-Genb0/w640-h426/18.jpg" width="640" /></a></div><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span><p></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Si tratta di una città realizzata in mattoni di fango, avente scopo <u>artigianale, amministrativo, residenziale</u> e risalente alla <b>metà del XIV sec. a.C.</b>; la città venne infatti costruita da <b>Amenhotep III</b> <b>neb-mAat-Ra</b> (faraone della XVIII Dinastia - che regnò tra il 1388 e il 1350 a.C.), come testimoniano i sigilli impressi sui mattoni.</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzastxcO65ygCwE8EuXQgkdgs0Gvm3FprL0K-jTu0szCp6TTOpV6fS4IHiyiz-FF7p6CgQeQNUo4o0oyEz6b5LSM46-DTo_Grl-Wde4Pjo04cQ3XmfStArXmoH41LpUsP-gbGpe0a2onk/s960/24.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="756" data-original-width="960" height="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzastxcO65ygCwE8EuXQgkdgs0Gvm3FprL0K-jTu0szCp6TTOpV6fS4IHiyiz-FF7p6CgQeQNUo4o0oyEz6b5LSM46-DTo_Grl-Wde4Pjo04cQ3XmfStArXmoH41LpUsP-gbGpe0a2onk/w640-h504/24.jpg" width="640" /></a></div><span style="-webkit-text-stroke-width: initial;"><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-text-stroke-width: initial;"><br /></span></p><span style="font-family: verdana;">L'insediamento, riemerso in ottime condizioni (alcune mura raggiungono un'altezza di quasi 3 metri) porta il nome "</span></span><span style="font-family: verdana;"><i style="-webkit-text-stroke-width: initial;">The Rise of Aten</i><span style="-webkit-text-stroke-width: initial;">" (Il sorgere di Aton) ed è stato scoperto durante gli scavi condotti (a partire da settembre 2020) dalla missione egiziana diretta da </span><b style="-webkit-text-stroke-width: initial;">Zahi Hawass</b><span style="-webkit-text-stroke-width: initial;"> per ricercare il tempio funerario di Tutankhamon.</span></span><p></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-text-stroke-width: initial;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQtJsUH52t9i2SwUGMoiV2S0banhtx5xUHH6UxTRBrYgoNV2vC9KRECZjZC0Pnewz76xSRozWfK7CHydt5jlfLptHRL3vWegB7A2yk9UwRwvucVdKluwH7SJFZ-v3CHu01nR4p-osXnY/s962/4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQtJsUH52t9i2SwUGMoiV2S0banhtx5xUHH6UxTRBrYgoNV2vC9KRECZjZC0Pnewz76xSRozWfK7CHydt5jlfLptHRL3vWegB7A2yk9UwRwvucVdKluwH7SJFZ-v3CHu01nR4p-osXnY/w640-h426/4.jpg" width="640" /></a></div><br /><span style="-webkit-text-stroke-width: initial;"><br /></span><p></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">La città si compone di quartieri residenziali e laboratori artigianali (tra cui un <u>panificio</u>, completo di forni e stoviglie, e <u>zone per la filatura e la tessitura</u>) che si sviluppano lungo le strade costeggiate da <u>pareti a forma di S</u> (architettura sinusoidale tipica della fine della XVIII Dinastia).</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELPGmbchjhj_N2ul4xNbYpO8S6AOn3UpcyeXu_MzRIGZdnz0YYSE9HNKcQM_gErE5BKZibMHPtV903JuLyAqQHgl2bbC16bz7H7nHda_Tuf2ZlaCoS1UIE0UEbEUXW9mBah7ljBxgzlc/s962/3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhELPGmbchjhj_N2ul4xNbYpO8S6AOn3UpcyeXu_MzRIGZdnz0YYSE9HNKcQM_gErE5BKZibMHPtV903JuLyAqQHgl2bbC16bz7H7nHda_Tuf2ZlaCoS1UIE0UEbEUXW9mBah7ljBxgzlc/w640-h426/3.jpg" width="640" /></a></div><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span><p></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Dagli scavi sono stati rinvenuti diversi e bellissimi vasi dipinti, anelli (recanti il cartiglio di Amenhotep III e della sua regina Tiy), collane, scarabei, amuleti in faience, <i>ushabti,</i> elementi decorativi vari; si presuppone che alcuni di essi siano stati prodotti nel villaggio stesso, vista la presenza di stampi tra il materiale ritrovato.</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrwQMf9moBPk-DVozL1rZ-mntCLWEHilCS4MofB3UbsxR0YuwDrAGxFRHXxZe-GqpUXsdx4NA0fK-f4grsVOpAT4FH1Pbij99SMfhIa8fz-j3zeW8ZwMQ4wiu_4e8-gJhfs69ysPfKjEE/s962/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrwQMf9moBPk-DVozL1rZ-mntCLWEHilCS4MofB3UbsxR0YuwDrAGxFRHXxZe-GqpUXsdx4NA0fK-f4grsVOpAT4FH1Pbij99SMfhIa8fz-j3zeW8ZwMQ4wiu_4e8-gJhfs69ysPfKjEE/w640-h426/1.jpg" width="640" /></a></div><p></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><p></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5H0fm7wqLPMIQjxvvkZLh4slgCQHS6Dx400nmFcI8yYYiPaPpYfrH4dmZM-GzHimKC3L6dWHOHu6_rDj2HHkDh9vuJn-n5DL3GLIkW5UMGA3vYUhK7crlP8OfOwYnNXrwSJasKHuy1LI/s960/27.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="960" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5H0fm7wqLPMIQjxvvkZLh4slgCQHS6Dx400nmFcI8yYYiPaPpYfrH4dmZM-GzHimKC3L6dWHOHu6_rDj2HHkDh9vuJn-n5DL3GLIkW5UMGA3vYUhK7crlP8OfOwYnNXrwSJasKHuy1LI/w640-h476/27.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73vmQdenbHQFTs44rjb17anXMDxy-rhAUDmvph99D3fDkxZS0zl4h5qVkMtS6Ijl1kpmXdJLpfTPqZ8qB2AjuRQHek6P7A6zw6znC31E7kwBQJhrcLfXiAs0USP_RUgxbgSKmoqeQhFw/s1076/28.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1076" data-original-width="960" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj73vmQdenbHQFTs44rjb17anXMDxy-rhAUDmvph99D3fDkxZS0zl4h5qVkMtS6Ijl1kpmXdJLpfTPqZ8qB2AjuRQHek6P7A6zw6znC31E7kwBQJhrcLfXiAs0USP_RUgxbgSKmoqeQhFw/w574-h640/28.jpg" width="574" /></a></div><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW2PnzO-xTCd6tQfeUgrWwOeENuIPsMYYg-WFyM9xTkS8xyXojZ-7YPrZ5STkt7TGbHu3zCGihDy63zdRIwVyqs7ewjgHJBRaJJxTcw57yEcYWgU1_Y8J-ZzWPb7WKb2jpezvr5zSXr20/s1021/21.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1021" data-original-width="960" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW2PnzO-xTCd6tQfeUgrWwOeENuIPsMYYg-WFyM9xTkS8xyXojZ-7YPrZ5STkt7TGbHu3zCGihDy63zdRIwVyqs7ewjgHJBRaJJxTcw57yEcYWgU1_Y8J-ZzWPb7WKb2jpezvr5zSXr20/w602-h640/21.jpg" width="602" /></a></div><div><br /></div>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXE016nNK-fjW55Wl3eIhVRobfRa6BIK9G-45Os9TUU9hOEF1VswYBmBLE85_fgLcV6i-Ng0DGZzr2Hjm9YjXPYzPZ74eMonhaKDXY8YPaHsohb8owZApOTINoHzGm3P4OAbmrXdVbtxQ/s962/14.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXE016nNK-fjW55Wl3eIhVRobfRa6BIK9G-45Os9TUU9hOEF1VswYBmBLE85_fgLcV6i-Ng0DGZzr2Hjm9YjXPYzPZ74eMonhaKDXY8YPaHsohb8owZApOTINoHzGm3P4OAbmrXdVbtxQ/w640-h426/14.jpg" width="640" /></a></div><span style="-webkit-font-kerning: none; font-kerning: none;"><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><span style="font-family: verdana;">Sono inoltre state riportate alla luce una <u>sepoltura umana</u> (inconsueta in quanto il defunto è posizionato con le braccia tese di lato e le ginocchia avvolte da una corda), di <u>bestiame</u> (toro/mucca) e un <u>pesce persico</u>.</span></span><p></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjBc3S2hOn645qESOB3_OaDUMCrbvBvqK-fUNb1UPkD9pcXf9VSzZI1G1oWNdRkrq7OG69vvYwwX2GzZogYzfH52NoHTurXLPS9JiSwbSdn0ltDZeQyaqvqFk4bhxF8EbJxTJwnyiX6CE/s962/26.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="781" data-original-width="962" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjBc3S2hOn645qESOB3_OaDUMCrbvBvqK-fUNb1UPkD9pcXf9VSzZI1G1oWNdRkrq7OG69vvYwwX2GzZogYzfH52NoHTurXLPS9JiSwbSdn0ltDZeQyaqvqFk4bhxF8EbJxTJwnyiX6CE/w640-h520/26.jpg" width="640" /></a></div><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYAI1szOtOHbKhY5_Otndz3NXaEQKKe-s_TZvbuFqo5AB-Tuw2z2XtcZDP37RvuyE2lNRU17ldBAEU8U9q1V2gXeE3sF3llR3IXqTJv4nQ5SgCAUA4J_HjlaTDj_f6eLbB1fgZwBh-AzY/s962/25.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="633" data-original-width="962" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYAI1szOtOHbKhY5_Otndz3NXaEQKKe-s_TZvbuFqo5AB-Tuw2z2XtcZDP37RvuyE2lNRU17ldBAEU8U9q1V2gXeE3sF3llR3IXqTJv4nQ5SgCAUA4J_HjlaTDj_f6eLbB1fgZwBh-AzY/w640-h424/25.jpg" width="640" /></a></div><div><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS103BkD1onPJyC7b8X22bDQbUzW-Gr1on5cSz4MTlRBbdmirsfuXN6vc6tmccouU3QS1p6t1nLsORQxU5q_dvn8ByHEYWpcYTDbIjKUL7qPqjADzMpavr1tzyoVfnk1T5mNRELgHc_FI/s962/19.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="641" data-original-width="962" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS103BkD1onPJyC7b8X22bDQbUzW-Gr1on5cSz4MTlRBbdmirsfuXN6vc6tmccouU3QS1p6t1nLsORQxU5q_dvn8ByHEYWpcYTDbIjKUL7qPqjADzMpavr1tzyoVfnk1T5mNRELgHc_FI/w640-h426/19.jpg" width="640" /></a><br />
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Gli scavi proseguiranno in alcune aree della città ancora meno indagate, quali ad esempio la zona settentrionale, dove è stato scoperto una grande cimitero con tombe scavate nella roccia, le aree artigianali per la lavorazione del vetro e del metallo e quelle amministrative. </span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><br /></span></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Un'iscrizione riportata su un recipiente contenente un grande quantitativo di carne (circa 10 kg, forse essiccata o bollita) dimostra come l'insediamento fu in uso anche durante il periodo in cui Amenhotep IV (Akhenaton) governò il regno in co-reggenza con il padre, Amenhotep III:</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><br /></span></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">"<i>Anno 37, carne condita per la terza festa Heb Sed</i></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><i>del macello del recinto del bestiame di Kha,</i></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><i>preparata dal macellaio Iuwy</i>"</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: center;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><br /></span></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Questa festa-giubileo si tenne infatti nel 1351 a.C. circa.</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-family: Times; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxb5c95omtJpYGL5PHbrgkN902ba_QEM8Jfs-gTeN4IgDMi-u0EuJLq9ub1WAxqjSNyBEmCpwvh1Yjhu2yBzKa_ikugzAfu2l-i70729Avauxqgyz5O76dGstEOVMsWuMMOWeBlM8pNk/s1284/23.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1284" data-original-width="962" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAxb5c95omtJpYGL5PHbrgkN902ba_QEM8Jfs-gTeN4IgDMi-u0EuJLq9ub1WAxqjSNyBEmCpwvh1Yjhu2yBzKa_ikugzAfu2l-i70729Avauxqgyz5O76dGstEOVMsWuMMOWeBlM8pNk/w480-h640/23.jpg" width="480" /></a></div><span style="-webkit-font-kerning: none; font-kerning: none;"><br /></span><p></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Il dato è ulteriormente confermato da un'altra importante iscrizione impressa su un sigillo di fango e riportante la dicitura "<i>Gm-pA-Jtn</i>" (<i>ghem pa Aton - </i>trad. "il dominio del luminoso Aton") che è il nome di un tempio costruito proprio da Amenhotep IV a Karnak.</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><br /></span></p>
<p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;">Nell'anno successivo a quello indicato nell'iscrizione del vaso contenente la carne, e a seguito del trasferimento della capitale ad Amarna, la città venne probabilmente abbandonata e riprese poi (per motivazioni ad oggi ancora ignote) ad essere utilizzata dai successivi faraoni Tutankhamon e Ay (fine della XVIII Dinastia).</span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-size: 16px; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none; font-family: verdana; font-kerning: none;"><br /></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none;"><span style="font-family: verdana; font-size: x-small;">Image/Photo credits:</span></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-font-kerning: none;"><span style="font-family: verdana; font-size: x-small;"><a href="https://www.facebook.com/profile.php?id=100044332304573">Zahi Hawass</a></span></span></p><p style="-webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: initial; font-stretch: normal; line-height: normal; margin: 0px; text-align: justify;"><span style="-webkit-text-stroke-width: initial; font-family: verdana; font-size: x-small;"><a href="https://www.dailymail.co.uk/news/article-9456807/First-look-inside-Egypts-lost-golden-city.html?fbclid=IwAR0a1ddXYDEXS6dfO_GHPFtpjkIQvgvhLX12_eUwjAc0OeneOVVx92PAhMA" style="-webkit-text-stroke-width: initial;">www.dailymail.co.uk </a></span></p>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-15749364209763142662021-03-07T02:15:00.003-08:002021-06-01T00:00:20.457-07:00Sistrum<p style="text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">Il sistro era uno strumento musicale che, per le parti metalliche (in questo caso in bronzo) che lo componevano, produceva un tintinnio se agitato come una specie di sonaglio.</span></p><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Il geroglifico che indicava il sistro era 𓏣 <i>sššt</i>, la cui pronuncia (<i>sesheshet</i>) aveva un valore onomatopeico.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">I sistri rappresentati nell’immagine, della tipologia “ad arco”, risalgono alla XXVI Dinastia - Epoca Tolemaica e presentano un manico l’uno a gambo di papiro, l’altro formato dal dio Bes(?) e, sopra, dalla testa di Hathor sormontata a sua volta da un naos.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Questo strumento musicale era associato al culto di Hathor e poteva accompagnare riti templari.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;"><br /></div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Gli oggetti sono esposti presso il <a href="http://www.comune.bologna.it/museoarcheologico/">Museo Archeologico di Bologna</a>.</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4-liYOF4TEVmdHql7pSERob9IuJw028lc5shl8LgJ5YWTxHxGfdYDktd4IchSB_ifovG3uk-j64sZaQYnl-LVOUFN5LPhILOH5887SObgrHUTnG74pgUgVzIdkViW4HgLnpE9Y8LAjjQ/s1363/1.jpg"><img border="0" data-original-height="1363" data-original-width="1363" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4-liYOF4TEVmdHql7pSERob9IuJw028lc5shl8LgJ5YWTxHxGfdYDktd4IchSB_ifovG3uk-j64sZaQYnl-LVOUFN5LPhILOH5887SObgrHUTnG74pgUgVzIdkViW4HgLnpE9Y8LAjjQ/w640-h640/1.jpg" width="640" /></a></div><br /><div style="text-align: justify;"><br /></div></span>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com1Via dell'Archiginnasio, 2, 40124 Bologna BO, Italia44.4929053 11.343689216.182671463821151 -23.8125608 72.803139136178842 46.4999392tag:blogger.com,1999:blog-7432882950208159318.post-64396674281373999342021-02-13T15:00:00.002-08:002021-02-13T15:00:07.622-08:00Amore eterno<p><span style="font-family: helvetica;"><span style="color: #050505;"><span style="caret-color: rgb(5, 5, 5); font-size: 15px; white-space: pre-wrap;">Gruppo statuario in calcare dipinto che rappresenta i coniugi </span></span><i style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;">Amenhotep</i><span style="color: #050505;"><span style="caret-color: rgb(5, 5, 5); font-size: 15px; white-space: pre-wrap;"> (“primo profeta di Ptah) e </span></span><i style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;">Merit</i><span style="color: #050505;"><span style="caret-color: rgb(5, 5, 5); font-size: 15px; white-space: pre-wrap;"> (“musicista di Amon”), conservato presso il <a href="http://www.comune.bologna.it/museoarcheologico/">Museo Archeologico di Bologna</a>.</span></span></span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span style="font-family: helvetica;">I loro otto figli (quattro femmine e quattro maschi) sono scolpiti ad incavo e ad altorilievo sul seggio sopra al quale siedono i genitori.</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span style="font-family: helvetica;">L’opera, di provenienza tebana, è stata datata tra la fine della XVIII e l’inizio della XIX Dinastia. </span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><br /></div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNeqTaJHqxr8vgwSglfjdDczlMGXtKA-UYgaOJ-aDVG85FIxwguK-PTVdHc-h5U3GWPX6KySIWgZeggJE0tJUO_vsePcL7gmGCSkoI1qPHv8s229JNxGA6bLH4otZb4w0HgOUjC6_rjjo/s1800/1.jpg" imageanchor="1"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNeqTaJHqxr8vgwSglfjdDczlMGXtKA-UYgaOJ-aDVG85FIxwguK-PTVdHc-h5U3GWPX6KySIWgZeggJE0tJUO_vsePcL7gmGCSkoI1qPHv8s229JNxGA6bLH4otZb4w0HgOUjC6_rjjo/w512-h640/1.jpg" width="512" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPRXQVn-nY9YgvvBVoOGQRiACsYzUO9iJbalSso4YYXtZ5_I3iGKXHSB3yyrWacF-4v9mSOVShUdgwGmuykjfsO2vGaRjQORuqgJwBGgxfihRr6saorWxNINeamBrzne2pK66_9iNinuY/s1798/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1798" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPRXQVn-nY9YgvvBVoOGQRiACsYzUO9iJbalSso4YYXtZ5_I3iGKXHSB3yyrWacF-4v9mSOVShUdgwGmuykjfsO2vGaRjQORuqgJwBGgxfihRr6saorWxNINeamBrzne2pK66_9iNinuY/w512-h640/2.jpg" width="512" /></a></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><br /></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: center; white-space: pre-wrap;"><span style="font-family: helvetica;">Buon San Valentino by La Via degli Antichi</span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0Via dell'Archiginnasio, 2, 40124 Bologna BO, Italia44.4929053 11.343689216.182671463821151 -23.8125608 72.803139136178842 46.4999392tag:blogger.com,1999:blog-7432882950208159318.post-23482738993411866622021-01-03T07:03:00.003-08:002021-01-03T07:04:07.509-08:00 Der Ägyptische Hof “Reise ins Jenseits” des Neuen Museums - Berlin<p style="text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">La sala egizia “Viaggio nell’Aldilà” del <a href="https://www.smb.museum/museen-einrichtungen/neues-museum/home/" target="_blank">Neues Museums</a> di Berlino, </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">dove il nuovo e l’antico si incontrano.</span></p><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Le sale che ospitano le collezioni egizie del Neues Museum furono create nel <b>1855</b>.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Durante la seconda guerra mondiale l’edificio venne distrutto (così come gli altri palazzi facenti parte dell’attuale <i>MuseumsInsel</i>, ovvero l'<i>Isola dei Musei</i>) e restaurato a partire dagli <b>anni 2000</b>, su progetto dell’architetto <i>David Chipperfield</i>.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">Le pitture murali e gli ornamenti originali del palazzo sono stati preservati ed integrati armoniosamente nell’organizzazione moderna degli spazi.</div></span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div style="text-align: justify;">L’interazione tra l’antico e il nuovo - che peraltro è un carattere tipico della città di Berlino - rende il percorso espositivo del Neues Museum particolarmente suggestivo.</div></span><div><span face="system-ui, -apple-system, BlinkMacSystemFont, .SFNSText-Regular, sans-serif" style="color: #050505;"><span style="background-color: white; caret-color: rgb(5, 5, 5); font-size: 15px;"><br /></span></span><div><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVjk2sLe2WqFocAn4A09fCFTIL4yGvndOp-jU6Jtmrb1REe-JLpTq3JEKzGvg3yv5LvGQTWXRNO2lyQfbfRrGZyY8GIiH96e2TEd3iyHFos-3VfSJ7X7PJCaHfhBAk6aDy2UF-8ZiNbPo/s1440/1.jpg"><img border="0" data-original-height="753" data-original-width="1440" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVjk2sLe2WqFocAn4A09fCFTIL4yGvndOp-jU6Jtmrb1REe-JLpTq3JEKzGvg3yv5LvGQTWXRNO2lyQfbfRrGZyY8GIiH96e2TEd3iyHFos-3VfSJ7X7PJCaHfhBAk6aDy2UF-8ZiNbPo/w640-h336/1.jpg" width="640" /></a></div><br /><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color: white; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><br /></span></div></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-67045261855700510242021-01-03T05:57:00.001-08:002021-01-03T05:58:12.317-08:00Il mito della creazione nell'antico Egitto <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTZmV3kQUE-9eFqiMQqLEanMoMxGv1z1ZKtNeAfkv9VsDTa1Hm-UA8vyZlX8RZgU5j0J8RN7YiL_5eEutOynun2w6fWb9breLJAfJ_EpFCAZbXpMVcnUXeLQMuRUn-_hlkmA-TXDrxUqM/s1800/3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTZmV3kQUE-9eFqiMQqLEanMoMxGv1z1ZKtNeAfkv9VsDTa1Hm-UA8vyZlX8RZgU5j0J8RN7YiL_5eEutOynun2w6fWb9breLJAfJ_EpFCAZbXpMVcnUXeLQMuRUn-_hlkmA-TXDrxUqM/w512-h640/3.jpg" width="512" /></a></div><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><p><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="background-color:
; caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><br /></span></p>Secondo la tradizione, il sole (<i>Atum</i>-<i>Ra</i>) sarebbe emerso da un caos liquido e buio (il <i>Nun</i>), ergendosi da una collina primordiale/uovo cosmico/fiore di loto, dando così inizio alla creazione del mondo come luce che illumina il buio preesistente.</span><p></p><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">Nel mito eliopolitano <i>Atum</i>-<i>Ra</i> dà origine alla cosiddetta <b>Enneade</b> </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">ovvero il gruppo di nove divinità: <i>Shu</i> (aria) e <i>Tefnut</i> (fuoco) che a loro volta generano <i>Geb</i> (terra) e Nut (cielo) e a seguire <i>Iside</i>, <i>Osiride</i>, <i>Seth</i> e <i>Nefti</i>, <i>Horus</i> il Vecchio.</span><br style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px;" /><br style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px;" /><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">L’immagine è stata scattata alla mostra "Sotto il Cielo di Nut. Egitto Divino" </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;">presso il </span><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><div class="nc684nl6" style="border: 0px; box-sizing: border-box; color: var(--primary-text); cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration: none; touch-action: manipulation;"><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl oo9gr5id gpro0wi8 lrazzd5p" href="https://www.museoarcheologicomilano.it" role="link" style="border: 0px; box-sizing: border-box; color: var(--primary-text); cursor: pointer; display: inline; font-family: inherit; list-style: none; margin: 0px; outline: none; padding: 0px; text-align: inherit; text-decoration: none; touch-action: manipulation;" tabindex="0">Museo Archeologico di Milano</a>.</div></span><div><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style="caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px;"><br /></span></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-22159278427901310652021-01-03T05:44:00.006-08:002021-01-03T05:45:13.773-08:00La biblioteca de La Via degli Antichi<p></p><div class="separator" style="clear: both; text-align: justify;"><span face="system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif" style=caret-color: rgb(5, 5, 5); color: #050505; font-size: 15px; text-align: left;">In quest’opera Sergio Donadoni (1914-2015), egittologo e docente universitario di Egittologia presso l’Università La Sapienza di Roma, raccoglie testi e scritti dell’antico Egitto, spesso giunti a noi in forma frammentaria, e ne traccia nel contempo un chiaro profilo storico; stabilisce le connessioni e le fondamentali differenze esistenti fra i testi stessi, reintroducendoli nel proprio contesto di riferimento.</span></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqkOrP3oB_H-OJ5SQfVLogiAlXGLafxSWKaaFBz2cCfEUjUPD_glTd9myUm3CNqsXqVF0Gqt1wAtX7zfogov7txekHSN9e5KdlBPQu9dHCD5FnPkcXp2UC-aExIuIIFR5L7k7SDwJK_M/s1800/1.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1800" data-original-width="1440" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqkOrP3oB_H-OJ5SQfVLogiAlXGLafxSWKaaFBz2cCfEUjUPD_glTd9myUm3CNqsXqVF0Gqt1wAtX7zfogov7txekHSN9e5KdlBPQu9dHCD5FnPkcXp2UC-aExIuIIFR5L7k7SDwJK_M/w320-h400/1.jpg" width="320" /></a></div><p></p>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0tag:blogger.com,1999:blog-7432882950208159318.post-3880483120399016982020-12-24T05:45:00.009-08:002021-01-03T05:51:19.431-08:00<p style="text-align: justify;"><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">Nell’Antico Egitto Iside era legata alla regalità, alla magia ma anche e soprattutto alla <b>maternità</b>, </span><span style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;">essendo venerata come dea madre.</span></p><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Numerose statuette la raffigurano seduta, nell’atto di allattare il figlio, Horus: questo tipo di iconografia (<i>Isis lactans</i>) è proprio rappresentativa del ruolo che ricopriva Iside come dea madre amorevole e che emerge dal mito osiriaco: fu infatti Iside a ridare la vita al fratello -e marito- Osiride, dopo l’uccisione avvenuta per mano di Seth.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; text-align: justify; white-space: pre-wrap;">Le festività natalizie sono la celebrazione della <b>nascita</b>, pertanto è con questa immagine scattata al <a href="http://www.comune.bologna.it/museoarcheologico/" target="_blank">Museo Civico Archeologico di Bologna</a> che invio a tutti i lettori il mio augurio per un sereno Natale.</div><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFdLntFv2T0YpgALV3m99J5v5jSCyhnQwozW4qHPiGr1YcN4kEN1_7YR5j9Ea0pSLebTyDCcvtUnFOKYWI8UvGmIdrH6tp9Qy-1kUsUInly9GCAzZMa7nbOpViOy2QdUfdmTzpTzNupU/s1440/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKFdLntFv2T0YpgALV3m99J5v5jSCyhnQwozW4qHPiGr1YcN4kEN1_7YR5j9Ea0pSLebTyDCcvtUnFOKYWI8UvGmIdrH6tp9Qy-1kUsUInly9GCAzZMa7nbOpViOy2QdUfdmTzpTzNupU/w640-h640/2.jpg" width="640" /></a></div><br /><div dir="auto" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; white-space: pre-wrap;"><br /></div>La Via degli Antichihttp://www.blogger.com/profile/07009928580120012794noreply@blogger.com0